Critical Theory And The Supposed Post-Truth Era: The Ideological Reaction

The tools that critical theory provides enable the undermining and subversion of established structures of power–political, cultural, discursive, technical, material, governmental, architectural, scientific, moral. They expose ideological pretensions and foundations, thus making it possible to see that all that is seemingly permanent and absolute may rest on evanescence. on historical contingency and accident and luck; they enable a corrosively suspicious response to any claims to political virtue. Critical theory is subversive; it should induce a kind of vertigo of possibility, one tinged with both fear and excitement; moreover, if the kind of critical position it points to is available for all dominant systems of cultural and political and intellectual formations, then it should also induce a fierce counter-reaction to its ‘revolutionary’ possibility, a co-opting of its ‘tools’ to be used against it. That is the least you would examine of any sophisticated ideology with a track record of survival; the ability to utilize the features of its opponents to undermine it.

The current brouhaha about how postmodernism made the Donald Trump presidency possible, by clearing the decks for fake news and alternative facts and truth-free daily briefings for the White House Press Corps and Pinocchio-inspired press spokespersons, by inspiring disrespect for ‘truth’ and ‘justification,’ is part of this counter-reaction. It is perfectly predictable; when those in power are subjected to the critique that their claims carry with them their pretensions to power, that they are invested with their own selfish material interests, that their philosophies are but their autobiographies, they will use those critical tools against the critique itself.

The suggestion that tools of critical analysis, the ones used to unmask pretensions of power, are the ones used to prop up an authoritarian regime that plays fast and loose with ‘facts’ and ‘truth’ and all of the other components of a realist, respectable, scientific, naturalistic epistemology is a reactionary one; and a predictable one too. It is of a piece with all those claims that point out problems with the form and content of protests; never the right time, never making its points in the right way, or speaking at the right volume. When directed at critical theory, this reaction says that your kind of protesting, its form, its methods, its techniques have resulted in the creation of a new and deadlier political and cultural monster; cease and desist with your critical analysis at once. It suggests that our tools are being used against us; we should lay them down at once; we should exert no other form of critical analysis to help us make political, cultural, or epistemic judgments. We should have known all along what was coming at the terminus of this ‘critique’: the claim that power in place should not be criticized, that critique has gone bad.

The perfect predictability of this ideological maneuver makes its deployment unsurprising; the personnel recruited for it–philosophers and journalists–are also the expected ones. Their easy acquiescence might be a little worrisome, of course, but all kinds of resistance breaks down when power comes calling.

‘Conservatives, Immigrants, and the Romantic Imagination’ Up At Three Quarks Daily

My essay ‘Conservatives, Immigrants, and the Romantic Imagination‘ is up at Three Quarks Daily. The following is an abstract of sorts:

American immigrants, especially the first and second generations, were sometimes reckoned a safe vote for the Republican Party’s brand of conservatism. This was not just the case with immigrants from formerly communist countries who might be reckoned willing and enthusiastic consumers of the Republican Party and American conservatism’s historical anti-communist stance. Rather, American immigrants of all stripes have often shown a marked allegiance to conservative causes and claims. This trend, which did not always translate into major electoral gains, was attenuated by the Republican Party’s continuing adoption of nativism and crude populism, of xenophobia, of the crudest forms of racism and exclusivism. But it was not always thus; there were good reasons to imagine the immigrant was a  was a possible Republican and conservative mark.

In my essay, I argue that the immigrant imagination, tinged as it is with a hint of the romantic, bears some explanatory responsibility for this political predilection. In particular, by examining recent descriptions of conservative intellectuals–ranging from Edmund Burke to William Buckley Jr.– as a species of romantic reactionaries, and comparing them to immigrant self-descriptions of their migratory journeys of arrival and accomplishment, I claim that the immigrant and the conservative are united by a species of self-conception that views them as outsiders subverting and eventually mastering–in their highly individual and particular ways–a dominant system. Like the conservative, the immigrant too, sometimes finds himself suggesting ‘the ladder be pulled up,’ now that he is aboard. The immigrant is in sympathy with a conservative vision then, because romantically, like the conservative, he sees himself as an outsider who has ‘made it.’

I will explore this claim–via an autobiographical perspective–in the American context, thus illuminating the ways in which so-called ‘model minorities’ have conceived of their place in the American nation. The reflexively conservative standpoint I adopted when I was a brand-new migrant to the US should help explain why immigrants have not always been successful in building multi-racial alliances with African-Americans, and thus, why American anti-racism politics remains handicapped by a lack of solidarity between its demographic components. They suggest the Republican Party could further find in its electoral toolbox a rhetorical appeal to divide the current anti-Republican coalition by attacking one of its most vulnerable points.

Nietzsche’s Inversion Of Natural Law In The Genealogy Of Morals

The radically constructive nature of legal and economic concepts emerges quite clearly in the brilliant second essay of The Genealogy of Morals. Here, Nietzsche sets out his view of how the concept of a contract creates persons, how the ethical subject is not found but made. For Nietzsche, the law, a set of human practices, ‘creates’ its subjects by acting upon humans to make them into beings capable of obeying the law. The inversion Nietzsche forces upon us takes from the notion of a contract as a legally enforceable promise to the notion of a promise as a morally enforceable contract.

Continue reading

Crowdfunding As Socialized Healthcare

Charity, ostensibly a central moral and social American institution, is alive and flourishing–online, on crowdfunding sites, as thousands and thousands of perfect strangers and sometimes acquaintances and friends and family, line up to donate to the latest plea for help. (Perhaps someone needs a vital organ transplant, extended chemotherapy and radiation, or a new, life-saving alternative therapy; or perhaps, like most Americans, they went into a hospital hoping to emerge healthier, and instead, found themselves facing a foreclosure-inducing medical bill.) As Bloomberg reports in an article unironically titled ‘America’s Healthcare Crisis Is a Gold Mine For Crowdfunding–later changed to ‘American Health Care Tragedies Are Taking Over Crowdfunding’:

Crowdfunding platforms such as GoFundMe and YouCaring have turned sympathy for Americans drowning in medical expenses into a cottage industry….Business is already booming, and its leaders expect the rapid growth to continue no matter what happens on the Hill. “Whether it’s Obamacare or Trumpcare, the weight of health-care costs on consumers will only increase,” said Dan Saper, chief executive officer of YouCaring. “It will drive more people to try and figure out how to pay health-care needs, and crowdfunding is in its early days as a way to help those people.”

Indeed:

Growth has been rapid….one million campaigns set up over the previous year had raised $1 billion from nearly 12 million donors. By February 2016, the total was $2 billion. In October 2016, it was $3 billion, from 25 million donors….GoFundMe had indicated that $930 million of the $2 billion raised in the period the study analyzed was from medical campaigns….medical fundraisers made up 70 percent of GiveForward’s campaigns. The combined companies have 8 million donors who have contributed $800 million to a wide range of campaigns. A big part…was donated to medical campaigns…It was approaching 50 percent of all fundraisers at YouCaring before the acquisition, and the growth rate is set to triple this year.

Indeed, no matter what the flavor of the current healthcare system, it will not take care of most Americans, and neither will it do anything to drive down the rising costs of healthcare. Short of progressive taxation, a national single-payer system, and extensive structural reform to bring the American healthcare system into line with the ‘best practices’–both financial and clinical–of the best national healthcare systems in the world, Americans look destined to continue pay the highest rates for healthcare in the world, while receiving outcomes that can be described, at best, as ‘mediocre.’ In these conditions, the success of crowdfunding campaigns is entirely unexpected and unsurprising; ‘look to private resources’ is the fairly explicit message of the current healthcare system, and it is there that Americans have turned. ‘Private resources’ are normally taken to mean financial support from family; Americans seem to have found a much larger family of sorts; a blessing of a kind, one supposes.

But mostly, reactions to this state of affairs can hardly afford to be sanguine. Such methods of paying for healthcare costs suffer from too much contingency; some campaigns succeed, yet others fail. Perhaps your pitch was not ‘moving’ enough; perhaps you did not include the right pictures of cute families; perhaps potential donors were financially exhausted. The health of the citizens of any country, let alone one with pretensions to greatness, should not be riven by so much uncertainty, so much dependence on the unpredictable largesse of others.

The Bollywood War Movie And The Indian Popular Imagination  

In 1947, even as India attained independence from colonial subjugation, war broke out in Kashmir as guerrillas backed by Pakistan sought to bring it into the Pakistani fold. That war ended in stalemate after intervention by the UN. Since then, the fledgling nation of India has gone to war four more times: first, in 1962, Jawaharlal Nehru’s darkest hour, against China, a war that ended in a humiliating loss of territory and self-esteem, which left Nehru a broken man, and ultimately finished him off; then, in 1965, India and Pakistan fought their way to another inconclusive stalemate over Kashmir; in 1971, India fought a just war to bring freedom to the erstwhile East Pakistan, producing the new nation of Bangladesh in the process (war broke out on the western and eastern fronts in December 1971 and ended quickly as the Pakistan Army surrendered in Dacca two weeks later); finally, in 1999, India forced its old nemesis, Pakistan, back from the brink of nuclear war by pushing them off the occupied heights of Kargil. War is part of the story of the Indian nation; it continues to shape its present and the future. India, and its understanding of itself, has changed over the years; Bollywood has tried to keep track of these changes through its movies, in its own inimitable style. In a book project that I am working on, and for which I have just signed a contract with HarperCollins (India), I will examine how well it has succeeded in this task.  (I have begun making notes for this book and anticipate a completion date of May 31st 2018; the book will come to a compact sixty thousand words.)

In my book, I will take a close look at the depiction of war and Indian military history in Bollywood movies. I will do this by examining some selected ‘classics’ of the Bollywood war movie genre; by closely ‘reading’ these movies, I will inquire into what they say about the Indian cinematic imagination with regards to—among other things—patriotism, militarism, and nationalism, and how they act to reinforce supposed ‘Indian values’ in the process. Because Bollywood both reflects and constructs India and Indians’ self-image, this examination will reveal too the Indian popular imagination in these domains; how can Indians come to understand themselves and their nation through the Bollywood representation of war?

Surprisingly enough, despite India having waged these four wars in the space of merely fifty-one years, the Bollywood war movie genre is a relatively unpopulated one, and moreover, few of its movie have been commercial or critical successes. The Bollywood war movie is not necessarily an exemplary example of the Bollywood production; some of these movies did not rise to the level of cinematic or popular classics though their songs often did. This puzzling anomaly is matched correspondingly by the poor state of military history scholarship in India. My book aims to address this imbalance in two ways. First, by examining the Bollywood war movie itself as a movie critic might, it will show how these movies succeed or fail as movies qua movies and as war movies in particular. (Not all Bollywood war movies feature war as a central aspect, as opposed to offering a backdrop for the central character’s heroics, sometimes captured in typical Bollywood formulas of the romantic musical. This is in stark contrast to the specialized Hollywood war movie, of which there are many stellar examples in its history.) Second, by paying attention to the place of these wars in Indian popular culture, I will contribute to a broader history of these wars and their role in the construction of the idea of India. Nations are sustained by dreams and concrete achievement alike.

After a brief historical introduction to Bollywood, I will critically analyze selected movies–(Haqeeqat, 1971, Aakraman, Lalkaar, Border, Hindustan Ki Kasam, Hum Dono, Lakshya, LOC Kargil, Deewar (2004 version), Shaurya, Tango Charlie, and Vijeta)–beginning with post-WWII classics and chronologically moving on to more contemporary offerings. Along the way, I hope to uncover–in a non-academic idiom–changing ideas of the Indian nation, its peoples, and the Indian understanding of war and its relationship to Indian politics and culture as Bollywood has seen it. This book will blend cinematic and cultural criticism with military history; the wars depicted in these movies serve as factual backdrop for their critical analysis. I will read these movies like texts, examining their form and content to explore what they teach us about Bollywood’s attitudes about war, the effects of its violence on human beings, on the role of violence in human lives, on how romantic love finds expression in times of war, how bravery, cowardice, and loyalty are depicted on the screen. I will explore questions like: What does Bollywood (India) think war is? What does it think happens on a battlefield? Why is war important to India? What does Bollywood think India is, and why does it need defending from external enemies? Who are these ‘external enemies’ and why do they threaten India? How does Bollywood understand the military’s role in India and in the Indian imagination? And so on.

 

The Plain, ‘Popular’ Speaking Of Bernie Sanders And Jeremy Corbyn

One of the highlights of the recent Bernie Sanders and Jeremy Corbyn campaigns–one, a failed attempt to secure the nomination to become the Democratic Party’s presidential candidate, and the other a comparatively successful attempt by the Labour Party to derail the Tories in the United Kingdom–has been their plain speaking. Both Sanders and Corbyn relied on straightforward ‘messaging’; they spoke unapologetically about their political views and vision; they did not back down from supposedly ‘can’t-win’ electoral platforms; they did not waffle about or ‘triangulate. Wonder of wonders, they seemed perfectly cognizant of the fact that they would face political opposition, but that did not deter them from continuing to discuss and defend, in unvarnished terms, the democratic socialist and populist ‘agenda’ that was the centerpiece of their claim to become President or Prime Minister. If asked ‘Are you really saying that X?’–where X might be ‘taxing the rich’ or ‘supporting the Palestinian cause’ or ‘socialized healthcare’–the Sanders or Corbyn response, quite typically, was, “Why yes, that’s exactly what I meant, and here’s why.” (In sporting terms, Sanders and Corbyn decided to swing for the fences–rather than sitting on them. Perhaps they would lose; but they would only lose an election, not their integrity. They appeared prepared to pay that price.)

This plain-speaking, this directness, this unapologetic standing by and behind their political convictions, a rare species of political fearlessness, did not go unnoticed. Both Sanders and Corbyn attracted many young folk disenchanted–or just plain bored–by politics; they attracted many older folks turned off by the endlessly vacillating, weaselly language of conventional politics. By keeping their platforms simple, Sanders and Corbyn were not just comprehensible, they also managed to be inspiring. Years and years of being subjected to the inanity and indirection of political discourse has produced a diverse electorate that yearns for plain speaking and a kind of transparent, even if occasionally bumbling, sincerity. Sanders and Corbyn both ‘delivered’; neither are inspiring speakers; their prose is not lofty; they do not appear to have taken classes in oratory or rhetoric; but importantly, they did not appear ‘coached’ and bland and inoffensive either. They knew they would cause offense; they accepted such a cost as part of the price of doing politics, of trying to get a certain kind of message out and about. They also knew the rhetorical value of their manner of speaking.

It will remain an enduring scandal that the Democratic Party in the US could not quite see the wisdom of such plain speaking during the 2016 election season, and instead decided to throw its weight behind a candidate who could not bring herself to drop a language that appeared too cautious, too timid, too ready to compromise. Neither could the Labour Party in the United Kingdom; many of its members and leaders attacked Corbyn relentlessly in the lead-up to the election. In the US, we are left saddled with the dysfunctional presidency of Donald Trump; in the United Kingdom, a second election to resolve the uncertainty created by the unstable Tory-DUP coalition seems quite likely. One can only wonder what the political landscape would look like today if these candidates had not been sabotaged by their own parties.

There are lessons to be learned here; the politician who makes the effort to do so knows an attentive audience–and participants in political action–awaits.

Proprietary Software And Our Hackable Elections

Bloomberg reports that:

Russia’s cyberattack on the U.S. electoral system before Donald Trump’s election was far more widespread than has been publicly revealed, including incursions into voter databases and software systems in almost twice as many states as previously reported. In Illinois, investigators found evidence that cyber intruders tried to delete or alter voter data. The hackers accessed software designed to be used by poll workers on Election Day, and in at least one state accessed a campaign finance database….the Russian hackers hit systems in a total of 39 states

In Decoding Liberation: The Promise of Free and Open Source Software, Scott Dexter and I wrote:

Oversight of elections, considered by many to be the cornerstone of modern representational democracies, is a governmental function; election commissions are responsible for generating ballots; designing, implementing, and maintaining the voting infrastructure; coordinating the voting process; and generally insuring the integrity and transparency of the election. But modern voting technology, specifically that of the computerized electronic voting machine that utilizes closed software, is not inherently in accord with these norms. In elections supported by these machines, a great mystery takes place. A citizen walks into the booth and “casts a vote.” Later, the machine announces the results. The magical transformation from a sequence of votes to an electoral decision is a process obscure to all but the manufacturers of the software. The technical efficiency of the electronic voting process becomes part of a package that includes opacity and the partial relinquishing of citizens’ autonomy.

This “opacity” has always meant that the software used to, quite literally, keep our democracy running has its quality and operational reliability vetted, not by the people, or their chosen representatives, but only by the vendor selling the code to the government. There is no possibility of say, a fleet of ‘white-hat’ hackers–concerned citizens–putting the voting software through its paces, checking for security vulnerabilities and points of failure. The kinds that hostile ‘black-hat’ hackers, working for a foreign entity like, say, Russia, could exploit. These concerns are not new.

Dexter and I continue:

The plethora of problems attributed to the closed nature of electronic voting machines in the 2004 U.S. presidential election illustrates the ramifications of tolerating such an opaque process. For example, 30 percent of the total votes were cast on machines that lacked ballot-based audit trails, making accurate recounts impossible….these machines are vulnerable to security hacks, as they rely in part on obscurity….Analyses of code very similar to that found in these machines reported that the voting system should not be used in elections as it failed to meet even the most minimal of security standards.

There is a fundamental political problem here:

The opaqueness of these machines’ design is a secret compact between governments and manufacturers of electronic voting machines, who alone are privy to the details of the voting process.

The solution, unsurprisingly, is one that calls for greater transparency; the use of free and open source software–which can be copied, modified, shared, distributed by anyone–emerges as an essential requirement for electronic voting machines.

The voting process and its infrastructure should be a public enterprise, run by a non-partisan Electoral Commission with its operational procedures and functioning transparent to the citizenry. Citizens’ forums demand open code in electoral technology…that vendors “provide election officials with access to their source code.” Access to this source code provides the polity an explanation of how voting results are reached, just as publicly available transcripts of congressional sessions illustrate governmental decision-making. The use of FOSS would ensure that, at minimum, technology is held to the same standards of openness.

So long as our voting machines run secret, proprietary software, our electoral process remains hackable–not just by Russian hackers but also by anyone that wishes to subvert the process to help realize their own political ends.