The New York Times’ Resident Sophist Laureate, Ross Douthat, has a long-running argumentative and rhetorical strategy of suggesting, through dark imprecations, that ‘liberalism’ and ‘godlessness’ are to blame for America’s social evils, for they they have produced them by provoking a reaction to their excesses. If only social and political movements didn’t engage in such vigorous protest, score legal victories in the Supreme Court, and influence the nation’s various discourses, they wouldn’t spark the reaction they do. There is no systemic social and political pathology to be combated; all is mere resentful pushing back, the rightful response of the righteous–and religious–to hectoring from the left. (This should sound familiar; remember David Brooks’ claim that anti-racism protests encourage racism?)
This highly remunerative schtick finds its latest expression in the following:
[T]he Democratic Party’s problem in the age of Trump isn’t really Jimmy Fallon. Its problem is Samantha Bee.
Not Bee alone, of course, but the entire phenomenon that she embodies: the rapid colonization of new cultural territory by an ascendant social liberalism.
In such a domain:
[Late night show hosts] are less comics than propagandists — liberal “explanatory journalists” with laugh lines.
As a result of which:
[O]utside the liberal tent, the feeling of being suffocated by the left’s cultural dominance is turning voting Republican into an act of cultural rebellion.
Douthat’s Op-Ed is sparked by the reaction to Jimmy Fallon’s recent I’ll-get-on-my-knees-if-you-say-so bootlicking reception of Donald Trump on his show recently. But his superficial understanding of ‘comics’ renders suspect the entire foundations of the sly ‘you asked for it’ screed that follows.
Comedy isn’t, and never has been, ‘apolitical.’ It either skewers the powerful or it reinforces existent patterns of power. To laugh at the powerful is a political act; so is laughing at the politically dispossessed.Comedians don’t get to stand out of the political fray. (Note that Douthat describes as an ‘apolitical shtick’ a show segment which normalized the behavior of a fascist; joking around with Bernie Sanders on the same show would have been considered further evidence of ‘the left’s cultural dominance.’)
Douthat correctly notes that his conjecture about national voting patterns is just that, in noting that this supposed cultural liberalism “may be one reason the Obama years, so good for liberalism in the culture, have seen sharp G.O.P. gains at every level of the country’s government.” He does so because presumably he does not want to make note of gerrymandering which locks in Republican power at the state level, or voter ID laws, which disenfranchise voters who might vote for the Democrats, or the continuance of neoliberal economic policies so beloved of national administrations, which have systematically immiserated large swathes of the American electorate.
Douthat also displays a remarkable cluelessness in his feverish ascriptions of cultural and political power to late-night comics. The dominance of the kind of humor that Douthant bemoans on television comes about because television executives determine, through marketing techniques, what brand works best with their audiences; comics don’t drive social change, social change drives comics’ lines. Moreover, late-night television is a small component of this nation’s cultural space where political contestation might take place; far more occurs in the twenty-three hours that precede those slots, in many other spaces: the streets, workplaces, classrooms. To be sure, those jokes may animate conversations outside the television studio, but despite the chuckles they engender on social media, there is little evidence that a single voter has had his or her mind changed by a comedian.
Lastly, Douthat conveniently ignores the presence of right-wing talk radio, which is remarkably humorless–except when it is cracking sexist and racist jokes, commands considerable time on the nation’s airwaves and which is committed to polemicizing and persuasion. They know something Douthat doesn’t want to acknowledge: if you want to effect political change, make sure folks know you are deadly serious.