Democratic Party Afraid To Emulate Tea Party Success: Move, Or Get Out Of The Way

You might think that a political party which stands accused of one of the most embarrassing and momentous political defeats in American history, one which was almost entirely due to a series of well-aimed large-caliber shotgun blasts at not just one foot, but all bodily appendages, would be prepared to carry out some serious introspection and to check in for an overhaul at the polity’s nearest service station. You would be wrong. Your political instincts and sensibility do not apply to the Democratic Party, which follows a suicidal logic all its own.

The Wall Street Journal was kind enough to inform us that in recent days, as the ‘battle’ for the Chair of the Democratic National Committee has heated up, pitting Keith Ellisona man favored by the ‘Bernie Sander wing’ of the party–against the ‘bank-friendly’ Tom Perez, the favored candidate of the same folks who led the Democratic Party to the 2016 Nineth November Massacree, are determined to turn this nation’s politics into Groundhog Day:

“Is the Bernie Sanders-Elizabeth Warren wing of the party going to push us too far to the left?” asked former Pennsylvania Gov. Ed Rendell, who also served as chairman of the Democratic National Committee. “Only if they start going after incumbent moderate Democrats in primaries like the Tea Party did.”

Ah, yes, the Fear of the Land of Too Far Left, brought to you by the DNC Who Cried Wolf. Ah, yes, the Terrible Tea Party, whose ‘takeover’ of the Republican Party now stands revealed as a catastrophic failure: full control of the US House of Representatives, the US Senate, and the Oval Office. With misfortunes like this, success does seem less attractive. The wise learn from their foes; the fool merely from himself. The Republican and Tea Party–a composite moniker which seems rather more appropriate given the nature of the entity the Democratic Party confronts–is not possessed of political genius; it merely abides by a crystalline commonsense wholly appropriate to electoral democracies: to govern, to assume power, you need to be voted into office; and to stay there, you must continue to listen to those who put you there. This political axiom is incomprehensible to the Democratic Party, which not content with having dismantled the organized ‘base’ that elected a black man with a Muslim middle name to the White House, intends to continue its ride over the beckoning cliffs. We would be wise to not follow.

The Democratic Party is not a political party; it is a retirement home for the politically incompetent, dedicated to nothing more than servicing the financial fortunes of a motley crew of boring policy wonks, Chelsbillary Clinton sycophants, and your garden variety neoliberal. It shrinks from conflict, the business of politics; it is afraid to govern, to take over the reigns of government. What is it doing, taking up space on the political stage? Perhaps insurance companies and banks and corporate law firms do not pay as much as they do. This trough must be deeper than we thought, bidding the DNC’s snouts to push just a bit further.

Taming The Beast: Writing By Deleting Text

Some six or so years ago, I began work on a book. I’m still not done and the end isn’t in sight either. I’ve alluded to this state of affairs on this blog before: on my About page where I make note of the extremely impressive and portentous title the book bears, and once, in a post on the anxieties of the ‘creative process’ when I confessed I seemed to be permanently adrift in that terrifying stage where you feel like a dog’s dinner is considerably more promising in its appearance than your dearly beloved project. In the intervening years, I’ve finished other books, so all is not lost, but this unfinished work is now an albatross and a millstone and several other metaphorical burdens to boot. Almost three years ago, as I returned to teaching after my academic and parenting sabbatical, I realized my ‘book’ did not deserve such a dignified title; it was merely a file containing some ninety-five thousand words of notes culled from various sources and some assorted ramblings scattered throughout, posing as commentary and annotation and critique.

This morning, during my hopefully daily editing session that I’ve set aside to work on my book, the word count approached sixty-nine thousand. I’ve finally begun to tame the beast, in the best possible way, by cutting it down to size. Twenty-six thousand words have bit the dust. The file might grow again but for now, matters appear considerably more tractable than they did three years ago.

There is some deeply satisfying about deleting troublesome text, words and sentences that refuse to behave, to make sense, to conform, to fit in. Negotiations have failed; expulsion is the only way out. And so it happens; I highlight the block of text, and Ctrl-X the sucker. If it’s lucky, it goes into a separate file called ‘bitbucket,’ possibly to be salvaged for future use and reintroduced into another version of the manuscript; if I’m feeling particularly ruthless, I do not bother with such niceties. History informs me that I’ve never, ever, reused anything from a bit bucket file; it’s merely there to provide a kind of security blanket, a fallback measure of sorts; but once you’ve moved on, you’ve moved on, and that’s that. There’s no looking back. (There are, of course, many deletions that occur because I’ve carried out an efficient rewrite of the same material; that’s satisfying too in its own special way; the succinct, sharp, expression of a thought in a sentence remains an aspirational ideal and much brush needs to be cleared to bring that about.)

Deleting text is an old writing technique; it’s one of writing’s great pleasures. Sure, there are times it’s agonizing–thus leading to the sober gnomic advice to not be afraid to kill your darlings–but truth be told, very little regret ever evinces itself. The text to be deleted stands in the way, obscuring the promised view; shoving it aside gets rid of the dross, letting the gold shine through.

I really should have been working on my book instead of writing this post. Tomorrow morning, and more deletions beckon.

 

The Pleasures Of Providing Directions To The Lost

A short while ago, as I alighted at the New York City’s Herald Square subway station, I was approached by a Chinese gentleman seeking directions to Penn Station; he needed to catch a New Jersey Transit train to, well, New Jersey. I was already ‘late’ for my weekly Tuesday stint at the library, but I stopped and gave him explicit and detailed directions. He listened eagerly and attentively and then sallied forth; I slapped him on the back as he left, calling out ‘good luck’ as I did so. As I strode off to the library–where I am now writing this post–I had a smile on my face. The beneficiary of my directions had been bewildered and disoriented; now, hopefully, he wasn’t any more.

Once, some twenty years or so ago, while walking up Manhattan’s Fifth Avenue, I had spotted an elderly Sikh gentleman clutching at the hands of passersby, imploring them for something; I crossed the street, and heard him asking for directions in extremely broken English. I sidled up to him and spoke in Punjabi, “Sir, what are you looking for?” (Rather, I called him ‘padshah,’ a colloquial term that literally means ’emperor’ but doubles as a respectful term of address.) His expression changed dramatically from confusion to the broadest of smiles; he grasped my hand and squeezed it with some feeling. A minute or so later, I was heading off again, to the same library as I was headed to today, once again smiling from ear to ear.

There is something deeply satisfying about providing directions to the lost, to the bemused, to those cast adrift in strange environs. I have not yet descended into the realm of the symbolic or the metaphoric, and I don’t need to; getting lost, even if only temporarily, is a disconcerting experience. The fear of being so informs every step of mine in the great outdoors; it has prevented me, until this past summer, from ever going hiking solo. I can empathize effortlessly with the lost, with those temporarily ‘unsure of their position.’ I have ‘been there,’ I have ‘done that’; and I didn’t like it. (This act has special resonance for me in New York City, my first port of call in the US some thirty years ago; back then I was often too scared to ask for directions, intimidated by the city’s reputation and by the supposed dangers of being mistaken for a tourist.)

For that hopefully brief period of time when we are not sure which way to turn, we are overcome by a panoply of emotions, novel and archaic: frustration, irritation, impatience, anxiety, these all surge to the fore; we worry about missed appointments; we curse our inability to magically walk on the straight path home; men fret about whether their masculinity faces its most rigorous challenge yet; the GPS rises in our esteem as the greatest blessing of this technological age. To apply a healing balm to these myriad afflictions is Good Work; we should not shirk it.  And I don’t.

Shlomo Breznitz On ‘The Mystery Of Courage’

In First Words: A Childhood in Fascist Italy Rosetta Loy cites Shlomo Breznitz‘s Memory Fields:

The fascination of hiding doesn’t amount to much compared to the mystery of courage, especially courage on behalf of others. It is when fear tells you to run and your mind tells you to stay, when your body tells you to save yourself and your soul to save others, that courage goes to battle with fear, its eternal companion.

Breznitz wrote these words in response to the memory of a Catholic mother superior in Bratislava who, after hiding him in her orphanage’s infirmary, not only denied his presence to the armed German soldiers who came looking for him, but also did not allow them to enter her abode, all the while yelling at them to cease and desist, despite being confronted by several large, aggressive, snarling bloodhounds. The mind boggles.

There are a couple of familiar notes struck here, both worth revisiting.

First, bravery is not the absence of fear, but the ability to act as required in the presence of fear. As I wrote once elsewhere:

True courage or bravery is the ability to overcome…entirely rational fear and to overcome it in order to achieve the objective at hand. A little reading of memoirs penned by mountaineers, military heroes, and adventurers of all stripes might convince those who imagine that a brave person is some sort of automaton who blithely and idiotically subjects himself to danger. We respect these men and women because while they feel the fear that all of us do, they are able to get over and on with it.

Second, there is the intoxicating power of righteous anger, which can overcome fear, perhaps even induce a kind of hypnotic trance, and allow actions to be taken that would otherwise be inconceivable. Once, as a pre-teen, I got into a shouting match with a couple of grown men who had refused to let my mother use her reserved sleeper berth in a train; they were bigger than me and could easily have knocked me out cold with a couple of punches, but I was infuriated beyond measure, and let myself be overcome by the anger that overcame me. Much to my surprise, the two men backed down from their earlier confrontational stance; perhaps I had shamed them with my display of outrage, something that reached out and touched an inner sensibility that would have otherwise lain dormant.

Most interestingly, Breznitz alludes to the ‘mystery of courage.’ Sometimes courage beckons seductively, inviting us to enter its precincts, to see what may lie in store for us; perhaps we have imagined such a journey lay beyond our capacities and have declined all such entreaties in the past; but then, on some crucial occasion, our curiosity is overcome. We cannot hold off the urge any more, we cannot put off any longer the desire to see what would happen if we were to don the mantle of the brave and sally forth. We are willing to entertain the uncertainty of the outcome, to put behind us the certainty of timidity and reticence–especially if we know we are to act ‘on behalf of others,’ to gain moral laurels as a possible reward. And so we act. Courageously.

Trump Campaign Rallies And Presidential Imagery

Donald Trump kicked off the 2020 election season with a campaign rally in Florida last night. These campaign rallies enable Trump to keep lines of communication–besides his Twitter account–open to his faithful; they rejuvenate his ego, one presumably battered by the endless ridicule heaped on him by his political opponents; they enable him to switch from his usual self-pitying moaning to his preferred mode of narcissistic boasting; they allow him to send out a message that will be faithfully amplified by a media eager for ‘newsworthy events’; he is, after all, the President.

If the staging of these rallies is any indication, they will supply a stream of rhetorically powerful imagery–the awesome paraphernalia of the American Presidency is now Trump’s to command–that will animate his public presence over the next four years. Trump is not just any ordinary candidate now; he is an elected President running for reelection, supported by a party which controls both houses of the legislative branch.

The American polity should have thought long and hard about how it has, over the years, allowed the pomp and circumstance of the Presidency to continue to increase to levels that resemble those of the monarchs of days gone by. Servant of the people? I think not. Those who occupied the Oval Office before Trump have left many loaded weapons lying around for him to use: the disregard of the legislative branch in the declarations of war; disrespect of the judicial branch; and of course, a wallowing in the perks and privileges of residency in the White House.

During the 2012 election season–in response to Charles Blow criticizing Mitt Romney for speaking ‘rudely’ to Barack Obama during a presidential debate–I made note here of how we seemed to have become excessively reverential of the presidency, and by association, of presidents too:

Blow feels the need to remind us, in a tone of reverential, devotional awe: ‘the president of the united states!’  Is he hoping to make us fall on our knees? This is the president, the unitary executive, the person put in place to ensure a republic which would otherwise do just fine with a legislative branch also possesses an entity capable of making snap decisions. Why, then, the need for such excessive deference?

Blow is not alone in these constant provisions of reminders to respect and be suitably awed by the president and his office. The White House, the presidential galas, the gun salutes; these are archaic expressions of monarchical times gone by. But the president is a political leader; he has arisen from conflict; he presides over conflict. It’s acceptable to be in conflict with him and his office. The president can be disagreed with, he can be debated; he needs to explain himself and his actions like anyone else.  Disagreements with the president need not be confined to print, they can be verbal too. And when they are verbal, they can sound edgy (like most disagreements between adults are). ‘Déclassé and indecorous’? Dunno. Politics isn’t really the space for decorum.

Well, the indecorous are here, and they intend to use the presumption of respect to their fullest advantage.

Note: The perennial election season, a perpetual motion electoral machine, has long been staring the American polity in the face, nipping at its heels, breathing down its neck–pick your favorite metaphor, and it works–for many years now. It is finally here. Talk of opposing Democratic candidates began on November 10th, 2016, and it won’t stop till November 3rd, 2020. Talk of the 2024 election will, of course, begin on November 4th 2020. Trump filed papers as a candidate for the 2020 election on the day he was inaugurated. His filing was a deft political move:

Having filed…as a candidate, Trump would be able to coordinate with PACs and other similar organizations. More importantly, 501(c)(3) nonprofit organizations would no longer be able to engage in “political speech” which could theoretically affect the results of the 2020 U.S. Presidential Election without running the risk of losing their nonprofit status. The move effectively bars interest groups from creating nonprofits which they could funnel money into for the purposes of opposing Trump’s initiatives. This will likely create chaos for political opponents of Trump such as George Soros, who has sunk significant amounts of money into various nonprofit groups with the intent of opposing Trump’s government.

On Encountering Resistance And Lovin’ It

This morning my four-year old daughter marched into our living room, and clutching a ‘storybook’–a collection of tales based on Disney’s Frozensaid, “Papa, this is my favorite storybook. I like it a lot. I know you don’t like it, because I know you don’t like princesses.” Having made this announcement, she walked over to the couch, sat down, and thumbing through its pages, began ‘reading’ aloud to herself. (My daughter cannot as yet read, but she likes to make up her own versions of the stories she has had read to her; needless to say, some rather interesting plot twists result in her recountings.)

I listened to her announcement and watched her ‘read’ with some pride.

She was right in surmising that I ‘don’t like princesses.’ I’ve often said uncomplimentary things about ‘princesses’ in front of my daughter: they dress up too much; their clothes won’t allow them to play in the playground, or go climbing or hiking; they seem to spend too much worrying about what they look like. When we see a video of a sportswoman or a female performing artists, I make sure to point out that the athlete looks nothing like a ‘princess’; princesses don’t play guitars or the drums; and so on. You know, the usual things a parent concerned about the relentless ideological assault of the pink princess advertising machine–the toys, the T-shirts, the make-up kits, the stories of being rescued by princes, the unrealistic body images of skinny, blond, white girls–would do. My daughter has clearly been listening and watching; she knows her father doesn’t ‘like princesses.’

But she does like the adventures of Anna and Elsa, and all the excitement, magic, monsters, and animals that seems to enter their lives. (I’ve still not seen Frozen and I don’t think I ever will but I’ve read out a couple of the stories from that book to her so I have some idea of what entertains my daughter.)

But over and above the fact that my daughter is capable of spending time by herself with a book, what about her remark made me regard it with some pride? Well, she does seem to have established some crucial distance between what I want and what she wants for herself; she doesn’t seem to be entirely reliant on seeking my approval–she did not, after all, walk up to me and plaintively ask me for permission to read her book. Rather, she acknowledged a disagreement between the two of us, and then went ahead and did what she wanted. (I would like to think she regards Anna and Elsa’s adventures as showcasing activities that the princesses I don’t ‘like’ don’t seem to engage in–those two get up to considerably more action than the typical princess–and so, in some ways, even her liking the tales in Frozen reflected my interactions with her.) I’ve often told my daughter that she should ‘do what she wants’ and not ‘worry about what other people say.’ Today, she did just that, and what’s better, she didn’t care about what someone in a position of authority had to say about what she liked and wanted to do.

On Being Advised To Not Take A ‘Girl’s Role’

Shortly after I began attending a boarding school in the ninth grade, I was approached by our ‘senior master’ and asked if: a) I could ‘act’ and b) if so, was I interested in trying out for the annual school play. I had done some acting in school and youth club plays in the sixth and seventh grades, so I answered in the affirmative to both questions. On  hearing this, the senior master asked me to attend a ‘reading’ that night where we would go over the play’s script. I agreed. When I told my classmates about this invitation, I received many congratulations. Acting in the school play was a prestigious business; being invited to act in it was an honor not accorded to many. I was suitably pleased, and resolved to write home to my mother as soon as I could that I had begun to rack up laurels here in my new school.

That night, I showed up at time in the school library for the reading. I was handed the play’s script, and the reading began. (If I remember correctly, that year’s play was Joseph Kesserling‘s Arsenic and Old Lace.) The senior master pointed at me and asked me to read–again, if I remember correctly–Elaine Harper’s part. (I do know it was a young woman’s role, and Elaine Harper is the young woman in Arsenic and Old Lace. My school was a boy’s boarding school, and we did not import actors or directors for the school play.) I did not mind being asked to play a woman; I vaguely remembered my father telling me that: a) in Shakespeare’s time, boys and men often played girl’s and women’s roles and b) that he himself, in college, had played a woman’s role in A Midsummer Night’s Dream for the college Shakespeare Society. If my father–a man who would go on to fly fighter jets and fight in two wars–could do it, so could I.

Our reading went on for two hours. By the time I returned to my dorm, it was after ‘lights out;’ everyone in my dorm was in bed, and seemingly fast asleep. I quietly changed, went over to my bed, and lay down. As I did so, my neighbor stirred and spoke.

“What role did they offer you?”

“I”m supposed to be a young woman.”

“Are you going to take it?”

“Yeah, it sounds interesting.”

“So, this is just something I want to tell you. Every year there is a school play, and every year, someone has to play the female parts. The boys who play those roles, they become the sissies in school. No one ever lets them forget it. They get teased and bullied all the time. They get called ‘girls’; people copy them walking and talking and putting on make-up. Last year, X did the girl’s role, and no one has stopped teasing him since. You’ve just joined this school; you still haven’t made that many friends. Some people don’t even like you because you’re from the Rector’s old school, and they think you’re his pet. I wouldn’t do it. This is just my friendly advice.”

[Or something like that.]

I lay there in bed, listening to that seemingly disembodied voice whispering at me in the dark. The vision it conjured up for me was equally gloomy; I knew exactly what he meant. I had already seen examples of how quick and efficient and cruel my school’s bullying and teasing was; many boys were permanent outcasts, shunned and sent off to the margins for faults imagined and real. I knew X was an outcast; now I knew why. I lay under a thick blanket, but I shivered nonetheless. I didn’t want to be a girl in a boy’s school.

The next day, I told the senior master I couldn’t do the role. It went to a boy a year younger than me. He was a wonderful actor and brought his role to life. For the next year and a half, every time my class mates and I walked past him on campus, someone would wiggle their hips, giggle, put on a falsetto, and call out his name. He never returned our gaze.