I grew up in India, a land of considerable antiquity with a long and rich history. All around me, there were monuments to this past; sometimes they were physical, tangible ones, like buildings built many years ago, or books that recounted tales of magnificent civilizations and fantastically accomplished cultures with their philosophy, art, music, sculpture. These tales of glory were disconcerting; I did not understand what my relationship to them was supposed to be. Should I be proud of them, even though I had done nothing to bring them about? Why was I, a spectator, and consumer of history, supposed to be ‘proud’ of this glorious past? Was there a causal relationship between past glory and present states of affairs? If there was, it hadn’t been demonstrated to me. Of course, as the implicit theory behind the recountings of the histories seemed to go, I was supposed to take ‘inspiration’ from these tales, and use them to sustain my imagination going forward; they would be the wind beneath my wings, raising me to further heights in my life, reassuring me I somehow had the right pedigree for any endeavor I chose to participate in. Somehow, mysteriously, that history was supposed to have suffused me with a sense of my self-worth, equipping me with the confidence I needed to venture forth.
The problem with this theory was that it didn’t quite work that way. Talk of a ‘glorious past’ seemed to produce instead, too much retrospective vision, and not enough attention to the here and now. It rendered the present ersatz and worthless; all that was good was already gone; the best we could do was look over our shoulders again and again, pining for times gone by. A magician who chanced upon us and sold us tickets on a time-machine would have found many eager buyers for his sales pitch. Away, away, from this cursed present; away to that land, whose contours, even if only partially visible, seemed so much more wondrous and beautiful than those to be found here. We have no time for present cares; our fates lie in the past.
These are symptoms of a disease no less pernicious than the one that Nietzsche diagnosed in religions that speak of deliverance in another world: they induce a nausea for this world, the one we have now. Religion enables priests who claim to offer us the keys to this magical realm; a glorious past enables fascists who promise they will take us back to that time, that place, stepping over all the bodies and principles that get in the way. We should not be surprised; nationalism has a great deal to answer for, and this endless nonsense about the provenance of the nation makes it especially dangerous.
Perhaps we should treat glorious pasts like we treat elapsed time. Gone, never to return, never to be revisited, lacking in any form of substantial reality when compared to the moment at present.
4 thoughts on “Fascism And The Problems With A ‘Glorious Past’”
Well written/well said! We should certainly appreciate the beauty of past art and culture, and learn from its history (including its ugliness), but the constant rose-colored glasses I encounter in conversations about the past is unnerving. This is such a helpful post for perhaps sparking a different way of thinking with those same people. Anyway, thank you for your work!
Thanks very much for your appreciative and insightful comment.
The problem lies in the way history books are writen. They focus on kings and wars.
When I grew up I read a number of historical novels in Tamil. Though fiction, they presented the struggles of ordinary people, and I never had your problem.
Good point; indeed, one of the interesting trends in academic Indian history is the focus on the lives of ‘real people’ – including some focus on children’s lives as well. And novels, of course, are a good place to learn history and receive moral instruction.