One of the most distinctive features of Claude Lanzmann‘s Shoah is that it features no archival footage. Not a single second of it. There are no grainy, black-and-white flickering images of Jews being herded into train cars for shipment to concentration camps, pushed and shoved along by brutal, indifferent German soldiers, of camp inmates peeringContinue reading “Claude Lanzmann’s ‘Shoah’: The Holocaust Brought To The Present”
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Samir Chopra 