Reflections on Translations – III: The Pleasures of Iranian and German Movies

I like many products of contemporary Iranian cinema: for instance, the movies of Abbas Kiarostami, Mohsen Makhmalbaf, and Majid Majidi–to name only three of a long and distinguished line-up of directors. Theirs is a neorealism with a compellingly different grammar from that of other products of the genre. There is another, not-so-overt reason for theContinue reading “Reflections on Translations – III: The Pleasures of Iranian and German Movies”