Tag Archives: Kike Maíllo

Kike Maíllo’s Eva makes for an interesting contribution to the ever-growing–in recent times–genre of robotics and artificial intelligence movies. That is because its central concern–the emulation of humanity by robots–which is not particularly novel in itself, is portrayed in familiar and yet distinctive, form. The most common objection to the personhood of the ‘artificially sentient,’Continue reading “‘Eva’: Love Can Be Skin-Deep (Justifiably)”