The Pietà, The Hammer, And The Stain

In The Renaissance: A Short History, Paul Johnson writes: [Michelangelo’s] first important commission, a Pietà (Mary with the dead Christ) [was] intended for the tomb of a French cardinal in Rome…It is by any standards a mature and majestic work, combining strength (the Virgin) and pathos (the Christ), nobility and tenderness, a consciousness of human fragility andContinue reading “The Pietà, The Hammer, And The Stain”