Sometimes your reading runs aground. You read and read, moving on smoothly, even if not effortlessly, taking in the written word, perhaps admiring the art and craft on display, perhaps envying a competence and creativity beyond your own, and then, abruptly, jarringly, there is no more purchase, no swell to lift the boat. You stare at the page; it stares back at you. You re-read to no avail. You have lost contact with the author; that outstretched hand, which was guiding you across the shoals of a difficult theoretical movement, is now gone, suddenly frustratingly elusive. The trail, the track, is lost; you back up and try again. Again, to no avail. You find familiar territory somewhere in the rear, and you retreat to its safety, reassuring yourself that you have not lost the competency you once thought you had. You venture forth again and stumble back, chastened and defeated. This might be where the trail runs out, where you come to a halt.
Reading is a funny business; in this age of perennial distraction even more so. But even without distraction there is still something magical about how it proceeds, how our reading ‘voice’ becomes internalized, about how the reader finds purchase in the text and ventures forth into the unknown, carrying on a dialog with the author. This is a process that sometimes goes wrong even when it is going well. The comprehensible text, the flowing text, can become the incomprehensible, the statically frozen, the impenetrable. This occurs, at least in part, because the challenges of writing are not fully solved by the writer and thus become the reader’s. The ‘finished version’ is merely the ‘last draft’; it is not uniformly accessible to the reader; it contains within it bad neighborhoods all of its own. Here might be where a particularly tangled web of the text’s narrative became a little too dense, a little too resistant to the author’s attempts to clear it away; here might be where a complicated argument got out of control and resisted taming. All the rewrites have not helped; the towel has been thrown in.
These zones of confusion can be large or small; they may offer temporary swamps or permanent barriers to progress. They may only interrupt, or they may derail. Sometimes the only option is to leapfrog them; to move on, and beyond, with nary a glance backwards. This can be occasion for bruised pride, for a bewailing and gnashing of teeth. But that is to protest too much; we should not expect every step of a journey to be an easy or painless one. To be sure, we run the risk of having missed out on the most crucial passages of all, those stones without which the foundation of the text before us will crumble. But perhaps that is a risk that is unavoidable, a discomfort that must be made bearable, if we are to ever to carry on, to discover what lies ahead and beyond. Besides other sectors of incomprehension.
One thought on “On Stumbling While Reading”
All about a ‘Reader’s Block’, as it were! One of the qualities of a great work of literature is indeed that every time we read it, we discover new meanings – ‘those stones without which the foundation of the text before us will crumble’.