The Elusive Art of the Book Review

A dozen or so years ago, my first ‘official’ book reviews were published. Both of them had been commissioned–that sounds so grand!–by the APA Newsletter on Teaching Philosophy: Philosophical Naturalism by David Papineau and What Is This Thing Called Science? by Alan Chalmers. (The always-ahead-of-the-curve APA website’s archive is incomplete and I cannot find copies of these reviews any more. PerhapsContinue reading “The Elusive Art of the Book Review”

Boethius’ Philosophy as Therapist

Here is a common way to think about the psychotherapeutic experience: the therapist helps the patient construct an alternative narrative of his or her life. Why is this therapeutic? The patient has offered the therapist a recounting–via a series of archaeological, genealogical forays into his past–of his life’s events, and describes how these have contributedContinue reading “Boethius’ Philosophy as Therapist”

Loss of Faith, the Jewish Atheist, and Working Class Rebellion in ‘Christ in Concrete’

In yesterday’s post on Pietro Di Donato‘s Christ in Concrete, I had noted how Annunziata and Paul’s session with the medium, the Cripple, could perhaps be viewed as an affirmation of the power of the life-sustaining myth. There is a hint of irony in that suggestion, because among the central messages of Di Donato’s impassionedContinue reading “Loss of Faith, the Jewish Atheist, and Working Class Rebellion in ‘Christ in Concrete’”

Talking to the Dead in Di Donato’s ‘Christ in Concrete’

In Pietro Di Donato‘s Christ in Concrete, twelve-year old Paul and his recently widowed mother Annunziata go to meet a medium called The Cripple; she will help them speak with his father and her husband. After waiting for four hours, they are granted an audience. The Cripple is ‘short’, has a ‘positive voice’, a ‘wide neck’,Continue reading “Talking to the Dead in Di Donato’s ‘Christ in Concrete’”

Murakami on Japan’s ‘Years of Trial’

Like most ‘Western’ students of the world wars, my reading has largely been confined to American and English sources; this is revelatory of both provincialism and laziness on my part. In the case of the Second World War, I’ve read a few German sources but very few Russian or Japanese ones. Thus it was withContinue reading “Murakami on Japan’s ‘Years of Trial’”

Winning Chaplin’s Autobiography

The record for the longest tenure as a book on my shelves belongs to Charles Chaplin: My Autobiography. But that’s not the  only distinction for the little tramp’s tale. It also represents the only academic award I have ever received in my life: its jacket bears a stickered certificate stating that I have been awarded the ‘ProgressContinue reading “Winning Chaplin’s Autobiography”

Craig McGregor on Living in the Bush

This morning, as I rummaged through my bookshelves in one of those periodic, vain attempts I make to try and organize them, I came upon my copy of Australia Fair?: Recollections, Observations, Irreverences (edited by Russell Braddon, Methuen, London, 1984). I had purchased it in 2000, in Sydney, at the Berkelouw’s bookshop on Oxford StreetContinue reading “Craig McGregor on Living in the Bush”

The Subway: Let the Love-Hate Clichés Roll

When I first moved to New York City, I lived on 95th Street in Manhattan and rode down to 42nd Street for my graduate seminars.  My first commute on the subways was blindingly quick: I took the 2 or 3 downtown express at 96th and Broadway and one stop later (at 72nd Street) I disembarkedContinue reading “The Subway: Let the Love-Hate Clichés Roll”

Twenty20 Franchises and the Evolution of Modern Cricket

As the fixing-scandal ridden sixth season of the Indian Premier League ended on Sunday, I thought it might be time to revisit the opening section of my concluding chapter in Brave New Pitch: The Evolution of Modern Cricket, where I had attempted to assess where the world of cricket might be headed in response toContinue reading “Twenty20 Franchises and the Evolution of Modern Cricket”

Freud, Pointing to Poets

Some distinctive features of Sigmund Freud‘s writings are: a clarity of exposition–at least in works intended for more general audiences–which offset the density and novelty of the subject matter; a tendency to philosophize while simultaneously disdaining philosophical speculation; an unswerving overt commitment to science, scientific probity, virtue, and methodology; and lastly, and most entertainingly, a keenContinue reading “Freud, Pointing to Poets”