George Steiner On The ‘Unvoiced Soliloquy’ And Collaborative Creativity

In Grammars of Creation (Yale University Press, 2001, pp. 84-85), in making note of the ‘anxiety of influence,’ and the valorization of solitary creativity, George Steiner writes: I want to point to the elected presences which makers construe within themselves or within their works, to the “fellow-travellers,” teachers, critics, dialectical partners, to those other voices withinContinue reading “George Steiner On The ‘Unvoiced Soliloquy’ And Collaborative Creativity”

Theater As Instruction Manual For Domestic Strife

In Benjamin Kunkel‘s new play Buzz, a central character, Tom, holds forth on theater–he says “something interesting”: TOM: The theater has a very ironic relationship to domestic life, don’t you think? Because what’s been the main preoccupation, for more than a hundred years? I’m thinking Ibsen, Strindberg, Shaw, Pinter…About the biggest theme is the horror ofContinue reading “Theater As Instruction Manual For Domestic Strife”

The Seductive Appeal of ‘Education’

In reviewing Jill Lepore‘s Book of Ages: The Life and Opinion’s of Jane Franklin, a ‘biography’ of Benjamin Franklin‘s considerably less distinguished sibling, Susan Dunn writes: The words “seduction” and “education” in fact share the same Latin root: ducere, to lead. Seduction leads astray (“se-”), while education leads out (“e”)—out of our unformed, primitive selves.Continue reading “The Seductive Appeal of ‘Education’”