The Fall Of Norman (And Norma) Bates

We know the story of Norman Bates: Norman had been excessively dominated by his mother since childhood, and when she took a lover, he became insanely jealous that she had “replaced” him, then murdered his mother and her lover. Later, he developed a split personality to erase the crime of matricide from his memory andContinue reading “The Fall Of Norman (And Norma) Bates”

American Horror Story and Torture Porn

Last night was Fright Night. I had plans to watch the opening episode of the third season of American Horror Story, a show that despite its disappointingly concluded first season and its at times too-lurid second season still manages to hold considerable promise for me. But I was going to watch Paranormal Activity first; somehowContinue reading “American Horror Story and Torture Porn”

Ridley Scott’s Promethean Stinker

I often disagreed with Roger Ebert‘s rating of movies. Sometimes, our disagreement would be a simple matter of Ebert being a little too kind, a little too forgiving. The latest instance of this discord may be found in our differing assessments of Ridley Scott‘s Prometheus. Ebert gives it four stars. I don’t. I found Prometheus toContinue reading “Ridley Scott’s Promethean Stinker”

American Horror Story’s Asylum: Site of Nightmares

American Horror Story‘s second season always promised to be creepier and more effective than the disappointing first season, which began well, but had devolved into a terrible mess by the time its end rolled around. The second season’s ending had its share of disappointments, but it had many fine moments that came before, the episodicContinue reading “American Horror Story’s Asylum: Site of Nightmares”

American Horror Story, The Walking Dead, and the ‘American Gothic’ Style

The opening credits/titles for season 1 of American Horror Story are very creepy; in their visual ‘style’ they resemble those of season 3 of The Walking Dead. Let’s call this style ‘American Gothic’; what makes it work? The central motif in ‘American Gothic’–at least in the two sequences cited above–is the decay of the familiar: inevitable,Continue reading “American Horror Story, The Walking Dead, and the ‘American Gothic’ Style”