V. S. Naipaul on Diversion and Inspiration

In “The Author’s Note”, a preface of sorts to The Return of Eva Peron with The Killings in Trinidad (Alfred A. Knopf, New York, 1980), V. S. Naipaul writes, These pieces…were written between 1972 and 1975. They bridged a creative gap: from the end of 1970 to the end of 1973 no novel offered itself toContinue reading “V. S. Naipaul on Diversion and Inspiration”

Rust Cohle and Naked’s Johnny

As I watched Rust Cohle in True Detective, it occurred to me he reminded me–in some ways–of another character I had found memorable; Johnny in Mike Leigh‘s Naked, . Johnny doesn’t seem to have a quite as philosophically inflected take on life as Cohle, but his dialogue delivery makes his lines epics of rage and dryContinue reading “Rust Cohle and Naked’s Johnny”

Ridley Scott’s Promethean Stinker

I often disagreed with Roger Ebert‘s rating of movies. Sometimes, our disagreement would be a simple matter of Ebert being a little too kind, a little too forgiving. The latest instance of this discord may be found in our differing assessments of Ridley Scott‘s Prometheus. Ebert gives it four stars. I don’t. I found Prometheus toContinue reading “Ridley Scott’s Promethean Stinker”

56-Up: Checking In With ‘Old Friends’

Roger Ebert once referred to Michael Apted‘s Up series as the ‘noblest project in cinema history.’ In writing his review of 56-Up–the latest installment in the story of the Fab Fourteen–Ebert disowned those words as ‘hyperbole’ but its easy to see why he might have thought so. It is as straightforward–and as complicated–a film project as could be:Continue reading “56-Up: Checking In With ‘Old Friends’”

RIP Roger Ebert

I don’t read movie reviews before I see a movie; I read them afterwards. I don’t like running into spoilers and I dislike the idea of not making up my own mind about a movie. Once I’ve seen the movie, I’ve formed an opinion, which remains relatively impervious to the critiques of others. But still,Continue reading “RIP Roger Ebert”