Hermione Lee On Wasting Nothing

The Art of Biography series of interviews at The Paris Review includes the following exchange between Hermione Lee and Louisa Thomas in No. 4: INTERVIEWER This is something you consistently look at—the ways in which a period that is commonly considered a dead period in a writer’s life feeds into their work. I’m thinking especially of Cather and herContinue reading “Hermione Lee On Wasting Nothing”

Writing And The Hundred Book Summer

Shortly after I have returned my student’s writing assignments to them, I start setting up appointments with those students who want to talk about their grades. In these consultations, as I go over the importance of returning to the reading assignments, preparing an early draft, meeting the writing tutor, revising often, having a friend readContinue reading “Writing And The Hundred Book Summer”

V. S. Naipaul on Diversion and Inspiration

In “The Author’s Note”, a preface of sorts to The Return of Eva Peron with The Killings in Trinidad (Alfred A. Knopf, New York, 1980), V. S. Naipaul writes, These pieces…were written between 1972 and 1975. They bridged a creative gap: from the end of 1970 to the end of 1973 no novel offered itself toContinue reading “V. S. Naipaul on Diversion and Inspiration”

The Never-To-Be-Returned-To Perennial Draft

My email client shows eighty-two drafts resident in its capacious folders; my WordPress dashboard shows thirty-seven; and a quick search through various document folders on my desktop machine shows several dozen others. They are monuments and gravestones and white flags of surrender; they are signposts of intention, evidence of procrastination run amok; they are bitterContinue reading “The Never-To-Be-Returned-To Perennial Draft”