Wanting to attend our own funerals, our own memorial services, is a fantasy with a long and distinguished pedigree. (As is the associated fantasy of wanting to read our own obituaries.) With good reason. If things have worked out well, many of our friends and family members will be there, hopefully all well-dressed. Importantly, weContinue reading “The Mixed Pleasures Of Attending Our Own Memorial Service”
Tag Archives: biographies
William James And The Pre-Raphaelites’ Influence
This morning, for no particular reason, or perhaps because I’ve been reading Becoming William James, Howard Feinstein’s excellent psycho-biography of William James, I posted the following on Facebook: William James was a better, more interesting, writer than Henry James. These are, as my friend Margaret Toth pointed out, “fighting words.” But of course, as IContinue reading “William James And The Pre-Raphaelites’ Influence”
Richard Holmes On Biography’s ‘Physical Pursuit’ Of Its Subjects
In an essay describing his biographical work on Samuel Taylor Coleridge, Richard Holmes writes: [A] biography is…a handshake….across time, but also across cultures, across beliefs, across disciplines, across genders, and across ways of life. It is an act of friendship. It is a way of keeping the biographer’s notebook open, on both sides of thatContinue reading “Richard Holmes On Biography’s ‘Physical Pursuit’ Of Its Subjects”
Hagiography as Biography: Turning Writers into Saints
Tim Parks wonders why biographies of writers flirt with hagiograpy, why they are so blind to their subjects’ faults: With only the rarest of exceptions…each author is presented as simply the most gifted and well-meaning of writers, while their behavior, however problematic and possibly outrageous…is invariably described in a flattering light…special pleading is everywhere evident,Continue reading “Hagiography as Biography: Turning Writers into Saints”
56-Up: Checking In With ‘Old Friends’
Roger Ebert once referred to Michael Apted‘s Up series as the ‘noblest project in cinema history.’ In writing his review of 56-Up–the latest installment in the story of the Fab Fourteen–Ebert disowned those words as ‘hyperbole’ but its easy to see why he might have thought so. It is as straightforward–and as complicated–a film project as could be:Continue reading “56-Up: Checking In With ‘Old Friends’”
Samir Chopra 