In yesterday’s post I had quoted W. H. Auden‘s review of David Luke‘s translation of Thomas Mann’s Tonio Kröger and Other Stories in responding to his acid assessment of a reductionist impulse in art criticism. Today, I quote him again, on a topic that is of similarly perennial interest, the problem of conformism as a hallmark of non-conformity:Continue reading “The Conformist Non-Conformist”
Tag Archives: novels
The Laziness of Reductionist Analyses
In his review of David Luke‘s translation of Thomas Mann’s Tonio Kröger and Other Stories W. H. Auden wrote, Polar opposites as in appearance they look, the two literary doctrines of Naturalism and Art-for-Art’s-Sake, as propounded by Zola and Mallarmé, are really both expressions of the same megalomania. The aesthete is, at least, frank aboutContinue reading “The Laziness of Reductionist Analyses”
F. Scott Fitzgerald on the Consumer Society and its Foundations
The consumer society and the vast political economy it engenders and sustains has long been a subject of philosophical interest, of concern, attention, critique and satire. These acquire an added edge as the toll it exacts on the environment–via global warming–becomes increasingly clear. Novelists have not been immune to its fascinations either. For a longContinue reading “F. Scott Fitzgerald on the Consumer Society and its Foundations”
Beauvoir, Morrison and Gordimer on Sex
Simone de Beauvoir famously wrote that a conceptual inversion of the sexual act was possible: perhaps woman was not merely ‘penetrated’ or ‘entered into’ by man, perhaps she ‘enveloped’ or ‘engulfed’ him instead. Sex was not an ‘invasion’ of the woman, it was an active seeking out instead. The change in perspective engendered by consideringContinue reading “Beauvoir, Morrison and Gordimer on Sex”
Amory Blaine’s Disillusionment and Enlightenment
Toward the conclusion of This Side of Paradise, as Amory Blaine as undergoes that educational disillusionment which is our common lot as we ‘mature’, F. Scott Fitzgerald steps up a ruminative commentary detailing the insights his hero is now ‘enjoying.’ These unmask crucial pretensions of the world around him: There were no more wise men; thereContinue reading “Amory Blaine’s Disillusionment and Enlightenment”
Kundera on the Novel’s Powers of ‘Incorporation’
In ‘Notes inspired by The Sleepwalkers‘ (by Hermann Broch), Milan Kundera writes: Broch…pursues ‘what the novel alone can discover.’ But he knows that the conventional form (grounded exclusively in a character’s adventure, and content with a mere narration of that adventure) limits the novel, reduces its cognitive capacities. He also knows that the novel has anContinue reading “Kundera on the Novel’s Powers of ‘Incorporation’”
Talking to the Dead in Di Donato’s ‘Christ in Concrete’
In Pietro Di Donato‘s Christ in Concrete, twelve-year old Paul and his recently widowed mother Annunziata go to meet a medium called The Cripple; she will help them speak with his father and her husband. After waiting for four hours, they are granted an audience. The Cripple is ‘short’, has a ‘positive voice’, a ‘wide neck’,Continue reading “Talking to the Dead in Di Donato’s ‘Christ in Concrete’”
No Matter Where You Go, There’s Home: Robert Viscusi’s Astoria
This morning, while out for a errand-laden walk–visiting the pediatrician’s office, shopping, and getting an influenza vaccine shot–in this bizarrely gorgeous East Coast January weather, I ran into my friend and Brooklyn College colleague, the poet Robert Viscusi, with whom I work at the Wolfe Institute for the Humanities. I admire Bob for his erudition, wit,Continue reading “No Matter Where You Go, There’s Home: Robert Viscusi’s Astoria”
‘Write As If Your Parents Were Dead’
Phillip Roth is said to have tendered the following advice–on the art of writing–to Ian McEwan : ‘Write as if your parents were dead.’ By this, I take it that Roth meant for McEwan to write with a distinctive fearlessness, one not courting parental approval, not apprehensive of parental disapproval of writerly indulgence, of libertiesContinue reading “‘Write As If Your Parents Were Dead’”
Tim Parks Overrates the Indispensability of Copyright Regimes
Tim Parks has an interesting article on copyright over at the New York Review of Books Blog. (Parks concentrates almost exclusively on copyright for literary works and does not mention movies or software executables.) There are some interesting observations in it, which lead up to a puzzling conclusion. Roughly, copyright law is indispensable because itContinue reading “Tim Parks Overrates the Indispensability of Copyright Regimes”