‘Prison Literature: Constraints And Creativity’ Up At Three Quarks Daily

My essay, ‘Prison Literature: Constraint and Creativity,’ is up at Three Quarks Daily.  Here is an introduction/abstract:

In his Introduction to Hegel’s Metaphysics (University of Chicago Press, 1969, pp 30-31), Ivan Soll attributes “great sociological and psychological insight” to Hegel in ascribing to him the insight that “the frustration of the freedom of act results in the search of a type of freedom immune to such frustration” and that “where the capacity for abstract thoughts exists, freedom, outwardly thwarted, is sought in thought.”

In my essay I claim that the perspicuity of this “insight” of Hegel is best illustrated by a species of intellectual production intimately associated with physical confinement: prison literature. The list of this genre’s standout items–The Consolations of Philosophy, The Pilgrim’s Progress for instance–is populated with luminaries–Boethius, Bunyan, De Sade, Gramsci, Solzhenitsyn, Jean Genet etc. Here, constraint is conducive to creativity; the slamming shut of one gate is the prompt to the unlocking of another. For the prison writer, confinement may produce a search for “substitute gratification”–whether conscious or unconscious–and the channeling of the drive toward freedom into the drive for concrete expression of abstract thought. Where freedom to act is not appropriately directed toward alternative artistic expression it can become pathologically repressed instead (as the Nietzsche of The Genealogy of Morals indicated.)

For the prison writer, freedom has changed from being a purely practical affair to one grounded in the act of writing. I explore this stance of the prison writer, its resonances with the perennial struggles of all writers, everywhere, and the truth of the claim–to which Hannah Arendt’s remarks about totalitarianism and the Orwell of 1984 resonate–that those that place prisoners in solitary confinement are onto a vitally necessary piece of knowledge for oppressors: if confinement is to work as a mode of repression, it must aspire to totality. I explore this via a consideration of the relationship between repression and creativity–a general one, and the  more specific variant to be found in Nietzsche and Freud.

‘Conservatives, Immigrants, and the Romantic Imagination’ Up At Three Quarks Daily

My essay ‘Conservatives, Immigrants, and the Romantic Imagination‘ is up at Three Quarks Daily. The following is an abstract of sorts:

American immigrants, especially the first and second generations, were sometimes reckoned a safe vote for the Republican Party’s brand of conservatism. This was not just the case with immigrants from formerly communist countries who might be reckoned willing and enthusiastic consumers of the Republican Party and American conservatism’s historical anti-communist stance. Rather, American immigrants of all stripes have often shown a marked allegiance to conservative causes and claims. This trend, which did not always translate into major electoral gains, was attenuated by the Republican Party’s continuing adoption of nativism and crude populism, of xenophobia, of the crudest forms of racism and exclusivism. But it was not always thus; there were good reasons to imagine the immigrant was a  was a possible Republican and conservative mark.

In my essay, I argue that the immigrant imagination, tinged as it is with a hint of the romantic, bears some explanatory responsibility for this political predilection. In particular, by examining recent descriptions of conservative intellectuals–ranging from Edmund Burke to William Buckley Jr.– as a species of romantic reactionaries, and comparing them to immigrant self-descriptions of their migratory journeys of arrival and accomplishment, I claim that the immigrant and the conservative are united by a species of self-conception that views them as outsiders subverting and eventually mastering–in their highly individual and particular ways–a dominant system. Like the conservative, the immigrant too, sometimes finds himself suggesting ‘the ladder be pulled up,’ now that he is aboard. The immigrant is in sympathy with a conservative vision then, because romantically, like the conservative, he sees himself as an outsider who has ‘made it.’

I will explore this claim–via an autobiographical perspective–in the American context, thus illuminating the ways in which so-called ‘model minorities’ have conceived of their place in the American nation. The reflexively conservative standpoint I adopted when I was a brand-new migrant to the US should help explain why immigrants have not always been successful in building multi-racial alliances with African-Americans, and thus, why American anti-racism politics remains handicapped by a lack of solidarity between its demographic components. They suggest the Republican Party could further find in its electoral toolbox a rhetorical appeal to divide the current anti-Republican coalition by attacking one of its most vulnerable points.