Freud As Writing Stylist And Pedagogy Instructor

In Freud, Jews and Other Germans: Master and Victims in Modernist Culture¹(Oxford University Press, New York, 1978), Peter Gay writes: All of Freud’s biographers devote an obligatory page to the efficiency and beauty of his prose–not without reason. Freud’s stylistic achievement is all the more remarkable considering the spectrum of his publications…Freud’s case published caseContinue reading “Freud As Writing Stylist And Pedagogy Instructor”

Chaim Potok’s ‘The Chosen’: Talking About Religion, Identity, And Culture In A Philosophy Classroom

Last week, the students in this semester’s edition of my Philosophical Issues in Literature class began reading and discussing Chaim Potok‘s The Chosen. (We have just concluded our discussions of Chapters 1-5 i.e., Book One, which details the initial encounters between Danny Saunders and Reuven Malter, the book’s central protagonists.) I had not read theContinue reading “Chaim Potok’s ‘The Chosen’: Talking About Religion, Identity, And Culture In A Philosophy Classroom”

Flannery O’Connor On Free Will And Integrity

In the ‘Author’s Note to the Second Edition’ in Wise Blood, Flannery O’Connor writes: Does one’s integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Unsurprisingly, here we find a provocative interventionContinue reading “Flannery O’Connor On Free Will And Integrity”

Irène Nèmirovsky On The Failure To Recognize Failure

In The Fires of Autumn (Vintage International, New York, 2015, p. 186) Irène Nèmirovsky writes: Mankind can only easily get used to happiness and success. When it comes to failure, human nature puts up insurmountable barriers of hope. The sense of despair has to remove those barriers one by one, and only then does penetrate to theContinue reading “Irène Nèmirovsky On The Failure To Recognize Failure”

Oscar Wilde’s Nietzschean Notes In De Profundis

In ‘Suffering is One Very Long Moment‘–part of a series of essays on prison literature–Max Nelson writes on De Profundis–“a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to “Bosie” (Lord Alfred Douglas)”–and makes note that: Certain passages in De Profundis do seem to credit prison with strengthening and deepening their author’s nature, butContinue reading “Oscar Wilde’s Nietzschean Notes In De Profundis”

F. O. Matthiessen On ‘The Value Of The Tragic Writer’

In The Achievement of T. S. Eliot (Oxford University Press, New York, p. 107),  F. O. Matthiessen writes: The value of the tragic writer has always lain in the uncompromising honesty with which he has cut through appearances to face the real conditions of man’s lot, in his refusal to be deceived by an easy answer, inContinue reading “F. O. Matthiessen On ‘The Value Of The Tragic Writer’”

Falstaff As Zarathustra

There is much that is admirable in Falstaff. He is funny; he has a flair for verbal pyrotechnics; he is lustful; he enjoys food and drink, he is a good friend; he might commit highway robbery, but it is not clear he would want to hurt anyone in the process. Moreover, one suspects he wouldContinue reading “Falstaff As Zarathustra”

A Literary Semester To Look Forward To

This fall semester, I will teach three classes; all feature literary components. They are: ‘Political Philosophy,’ ‘Philosophical Issues in Literature,’ and ‘Existentialism.’ The following are their course descriptions: Political Philosophy: Shakespeare and Political Theory In this class, we will read Shakespeare’s famous ‘history plays’—Richard II, Henry IV, Parts I & II, Henry V–as political theoryContinue reading “A Literary Semester To Look Forward To”

Melville On ‘The Most Dangerous Sort’: The Outwardly Rational Madman

In Billy Budd, Sailor (Barnes and Noble Classic Edition, New York, p. 40) Herman Melville writes: [T]he thing which in eminent instances signalizes so exceptional a nature is this: though the man’s even temper and discreet bearing would seem to intimate a mind peculiarly subject to the law of reason, not the less in his heartContinue reading “Melville On ‘The Most Dangerous Sort’: The Outwardly Rational Madman”

Francine Prose On The Consolations Of Post-Apocalyptic Literature

In reviewing Margaret Atwood‘s Stone Mattress: Nine Tales Francine Prose makes a pair of perceptive remarks in her conclusion. First, [T]book offers none of the peculiar comforts and reassurances of such post-apocalyptic novels as Atwood’s MaddAddam trilogy. It denies us the glorious fantasy of flaming out en masse instead of, so much less dramatically, in aContinue reading “Francine Prose On The Consolations Of Post-Apocalyptic Literature”