The Bollywood War Movie And The Indian Popular Imagination  

In 1947, even as India attained independence from colonial subjugation, war broke out in Kashmir as guerrillas backed by Pakistan sought to bring it into the Pakistani fold. That war ended in stalemate after intervention by the UN. Since then, the fledgling nation of India has gone to war four more times: first, in 1962, Jawaharlal Nehru’s darkest hour, against China, a war that ended in a humiliating loss of territory and self-esteem, which left Nehru a broken man, and ultimately finished him off; then, in 1965, India and Pakistan fought their way to another inconclusive stalemate over Kashmir; in 1971, India fought a just war to bring freedom to the erstwhile East Pakistan, producing the new nation of Bangladesh in the process (war broke out on the western and eastern fronts in December 1971 and ended quickly as the Pakistan Army surrendered in Dacca two weeks later); finally, in 1999, India forced its old nemesis, Pakistan, back from the brink of nuclear war by pushing them off the occupied heights of Kargil. War is part of the story of the Indian nation; it continues to shape its present and the future. India, and its understanding of itself, has changed over the years; Bollywood has tried to keep track of these changes through its movies, in its own inimitable style. In a book project that I am working on, and for which I have just signed a contract with HarperCollins (India), I will examine how well it has succeeded in this task.  (I have begun making notes for this book and anticipate a completion date of May 31st 2018; the book will come to a compact sixty thousand words.)

In my book, I will take a close look at the depiction of war and Indian military history in Bollywood movies. I will do this by examining some selected ‘classics’ of the Bollywood war movie genre; by closely ‘reading’ these movies, I will inquire into what they say about the Indian cinematic imagination with regards to—among other things—patriotism, militarism, and nationalism, and how they act to reinforce supposed ‘Indian values’ in the process. Because Bollywood both reflects and constructs India and Indians’ self-image, this examination will reveal too the Indian popular imagination in these domains; how can Indians come to understand themselves and their nation through the Bollywood representation of war?

Surprisingly enough, despite India having waged these four wars in the space of merely fifty-one years, the Bollywood war movie genre is a relatively unpopulated one, and moreover, few of its movie have been commercial or critical successes. The Bollywood war movie is not necessarily an exemplary example of the Bollywood production; some of these movies did not rise to the level of cinematic or popular classics though their songs often did. This puzzling anomaly is matched correspondingly by the poor state of military history scholarship in India. My book aims to address this imbalance in two ways. First, by examining the Bollywood war movie itself as a movie critic might, it will show how these movies succeed or fail as movies qua movies and as war movies in particular. (Not all Bollywood war movies feature war as a central aspect, as opposed to offering a backdrop for the central character’s heroics, sometimes captured in typical Bollywood formulas of the romantic musical. This is in stark contrast to the specialized Hollywood war movie, of which there are many stellar examples in its history.) Second, by paying attention to the place of these wars in Indian popular culture, I will contribute to a broader history of these wars and their role in the construction of the idea of India. Nations are sustained by dreams and concrete achievement alike.

After a brief historical introduction to Bollywood, I will critically analyze selected movies–(Haqeeqat, 1971, Aakraman, Lalkaar, Border, Hindustan Ki Kasam, Hum Dono, Lakshya, LOC Kargil, Deewar (2004 version), Shaurya, Tango Charlie, and Vijeta)–beginning with post-WWII classics and chronologically moving on to more contemporary offerings. Along the way, I hope to uncover–in a non-academic idiom–changing ideas of the Indian nation, its peoples, and the Indian understanding of war and its relationship to Indian politics and culture as Bollywood has seen it. This book will blend cinematic and cultural criticism with military history; the wars depicted in these movies serve as factual backdrop for their critical analysis. I will read these movies like texts, examining their form and content to explore what they teach us about Bollywood’s attitudes about war, the effects of its violence on human beings, on the role of violence in human lives, on how romantic love finds expression in times of war, how bravery, cowardice, and loyalty are depicted on the screen. I will explore questions like: What does Bollywood (India) think war is? What does it think happens on a battlefield? Why is war important to India? What does Bollywood think India is, and why does it need defending from external enemies? Who are these ‘external enemies’ and why do they threaten India? How does Bollywood understand the military’s role in India and in the Indian imagination? And so on.

 

Nixon, Kissinger, And The 1971 Genocide In Bangladesh

This evening, Jagan Pillarisetti and will be speaking at the New York Military Affairs Symposium on ‘Indian Air Force Operations in the 1971 Liberation War.’ Our talk will be based on our book Eagles over Bangladesh: The Indian Air Force in the 1971 Liberation War (Harper Collins, 2013). Here is the jacket description:

In December 1971 Bangladesh was born. Its birthing was painful: it had suffered a brutal genocide conducted by its former countrymen from West Pakistan, and a war between the indigenous Mukti Bahini (Liberation Army) and the Indian Armed Forces on one side, and the West Pakistani Armed Forces on the other. War broke out on the Western and Eastern fronts in December 1971 and ended quickly; the West Pakistani Army surrendered in Dacca two weeks later. A significant factor in facilitating the Indian Army’s progress to Dacca was the IAF, which neutralized the Pakistan Air Force (PAF), and provided deadly, timely and accurate firepower to support the Indian Army. The IAF flew a variety of missions: counter-air raids on airfields, steep glide dive-bombing attacks on runways, aircombat with PAF Sabres, helicopter borne operations, paradropping, and shipping attacks. Eagles Over Bangladesh: The Indian Air Force in the 1971 Liberation War, provides a day by day recounting of the IAF’s activities, commencing with raids on Dacca on the first day of the war, and moving on to the final coup de grace delivered on the Governor’s House, all the while bolstered by first-person descriptions from IAF pilots. [links added]

I’ve been warming up for the talk by reading Gary BassThe Blood Telegram: Nixon, Kissinger, and a Forgotten Genocide and I’m reminded, yet again, of what total and utter shits and moral reprobates those two were. There is little I can say to lengthen the already existent and damning charge sheets against Henry Kissinger (the approval of whom by Hillary Clinton was one of the many reasons why I could not bring myself to vote for her.) Let me instead, quote the always eloquent and erudite Patrick S. O’Donnell on the subject:

Henry Kissinger, a moral monster who exemplified the dark arts of immoral and amoral Realpolitik while at the pinnacle of political power in the United States, is a living reminder of why we established (several ad hoc and hybrid, as well as one permanent) international criminal tribunals and need universal jurisdiction in the quest for international criminal justice. If you’re not well acquainted with the precise reasons why Kissinger is rightly referred to in some quarters as a “war criminal” (although one could plausibly argue he is also guilty of crimes against humanity and complicity in genocide, among other crimes), see the first and still best summary of the particulars of this searing public indictment in Christopher Hitchens’ The Trial of Henry Kissinger (Twelve, 2012; first edition, Verso, 2001, 2002 with new preface).

Bass’ book notes that despite a series of anguished reports emanating from US diplomatic staff in Dacca–headed by Archer Blood–who bore witness to the Pakistani Army genocide in Bangladesh, Richard Nixon and Henry Kissinger not only ignored these pleas to publicly condemn these atrocities, they refused to bring any pressure to bear on the Pakistani military administration–including but not limited to, not allowing American arms to be used in the massacres. Worse, they remained actively hostile to the Indian government, which was then dealing with an influx of ten million refugees fleeing the killings in East Pakistan. As Bass notes:

Nixon and Kissinger bear responsibility for a significant complicity in the slaughter of the Bengalis. This overlooked episode deserves to be a defining part of their historical reputations. But although Nixon and Kissinger have hardly been neglected by history, this major incident has largely been whitewashed out of their legacy—and not by accident. Kissinger began telling demonstrable falsehoods about the administration’s record just two weeks into the crisis, and has not stopped distorting since.

My father fought in the 1971 war as a pilot in the Indian Air Force; I’m glad he did.

A Day in Gaol, Part Deux: Notes on Police, Precincts, and Penality

Spending a day in jail has some social scientific value for the temporarily detained; it enables a closer, albeit short-lived, look at the systems of policing and criminal justice. And because I often expend much time on this blog railing against the excesses of the New York City Police Department, it makes especial sense for me to offer a few observations on my interactions with them on Tuesday last.

First, the arrest itself. The NYPD was scrupulous about providing warnings to those that lay down on Second Avenue; we were told that we were obstructing traffic and had to clear the intersection, failing which we would be arrested. We were not immediately bum-rushed. After the warning was repeated, and those who did not want to court arrest had moved out, the police moved in. I was hauled to my feet but I was not treated roughly. The handcuffs placed on my wrists–the plastic variety–were painful, and a couple of tightening tugs made them more so. The arresting officer then placed his fingers through their central loop, making them even more painful. I told him I had no intention of absconding, as I had deliberately courted arrest; he replied he had to follow arresting procedures. Fair enough. We were then bundled into the wagon, un-seatbelted, and  thus susceptible to being thrown around, forward and backwards, when the wagon braked or took corners. The driver of the wagon thankfully opened the doors when we arrived at the precinct, and assured us he had turned on the A/C, but it hadn’t worked, thus leaving us sweltering. I believe him; he sounded sincerely apologetic for any discomfort caused to us.

I had been a little nervous about the arrest because I did not want to get shoved around or slammed to the sidewalk, but none of that occurred. There was no animosity directed at the police by the protesters and the police seemed more bemused than anything else by our doings.

Second, my booking at the precinct. The central irony of the precinct–as Corey Robin and I both noted in our conversation after we had been released–is that while it is a zone of legal enforcement, it feels, and very often is, a lawless zone. You come face to face to unblinking, resolute bureaucracy, beholden to its procedures, and their utter rigidity, all the while knowing that the police can stretch and violate them with impunity. The incarcerated are always aware that they are powerless, that the police can exert all manner of power over them. You might seek redress later, but that will not, in any way, diminish the terrifying powerlessness when a policeman got in your face, or pushed you, or otherwise abused you in any other way. There is also the depressing empirical fact that the long arm of the law rarely reaches out to accost a policeman. You are at the policeman’s mercy. Questions may be treated with a blank stare or a noncommittal reply, and very little helpful clarification about procedure is offered. It is here that you most sense a figurative forcing of you to your knees. The swagger, the cockiness, the brusqueness of the cop; these are all external manifestations of the confidence they posses in their imperviousness to any forms of pleading or redressal.

Third, my time in the holding cell. This is a continuation of the previous state; you are imprisoned; it can be a terrifying feeling.. The police are taciturn and reticent; they do not offer helpful responses to questions put to them, and requests for the lessening of personal discomfort are responded to with visible reluctance; you do not get straight answers on when you may expect to be booked and released. (One Bangladeshi cop was kind enough to tell us we would be released soon; in an effort to reach out to him, I told him my father had fought in the war of liberation for his erstwhile home; he offered me a tight smile and walked away, telling me his wife was from Mumbai.) You sense the police bound by procedures of due process but you also sense that they may at any time, at their own whim, decide not to follow them.  (The refusal–and then later, grudging agreement–to provide water despite our constant requests seemed one instance of this.) The irony of the co-existence of the arbitrary with the rules of law is reinforced. You draw companionship from your fellow prisoners if you can. I was lucky to be with my partners in civil disobedience; their companionship sustains you; it is far more uncomfortable to be with those who are strangers. (Note: at one point late in the afternoon, a middle-aged Cuban gentleman was brought into our cell; he had been arrested for panhandling. He claimed he had merely been asking a friend for some money. His English was not as good as his Spanish, and he seemed a little discombobulated. The police had a field day with him, cracking several jokes at his expense as he was led out and in and otherwise subjected to other procedures. I presume the police code of conduct includes no strictures on gratuitous mocking of the incarcerated.)

My imprisonment was exceedingly brief; I only suffered minimal discomfort (one of my fingers is still slightly numb). I am privileged and lucky. Many others who deal with the police and the penal system are not.

 

Satadru Sen on Eagles Over Bangladesh

Satadru Sen has written a very thoughtful and engaged review of Eagles over Bangladesh: The Indian Air Force in the 1971 Liberation War. His generally positive review also strikes some critical notes in it, and I’d like to respond to those. These critical points are all largely concerned with how well the book succeeds as (generally) military history and as (particularly) a history of the 1971 Liberation War for Bangladesh, and about how the narrowness of our focus in the book detracts from that task.

A couple of preliminary remarks. My co-author, PVS Jagan Mohan, and I self-consciously restricted ourselves to documenting the air operations in our book. We chose this narrow perspective for two reasons: a) to make our task manageable and b) to not obscure the treatment of the air operations. The definitive history of the Bangladesh Liberation War and especially the conflicts that preceded it might yet have to be written, but attempts have been made and we did not intend to try doing so ourselves. There has been no history attempted though of exclusively the air component of the war. (Incidentally, our book is only the first volume of an intended two-volume project; the second will cover air operations in the Western Sector; this should give you some indication of the magnitude of the task at hand.) We took our contribution to be toward filling the gap in the aviation history literature and not necessarily to contribute to the very interesting debates that surround the genesis of the Bangladesh war, its conduct, and so on.

Now, in general, air war histories and naval warfare histories are more specialized in their focus than the conventional war history. Books on the Battle of Britain, for instance, detail the air operations–the dogfights, the bombing etc–in far more detail than anything else; what they primarily focus on, which we do as well, is the operational context: the aircraft used, the decisions that led to the planning of air campaigns as they proceeded, the technical infrastructure, some detail on combat tactics and so on. We do not expect these kinds of histories to provide the kind of political histories or context that Sen finds missing. In large part, this is because, prior to the First Gulf War and the 1999 NATO Kosovo campaign air power, despite what its most enthusiastic proponents might say, has not been the primary weapon of choice in accomplishing tactical or strategic objectives; it has supported boots on the ground. Given this, it is only natural that histories of air campaigns are largely operational histories, with some strategic and planning detail provided to make sense of operations.

Now, on to Sen’s more specific critiques.

Continue reading

Book Release Announcement: Eagles Over Bangladesh

Some readers of this blog might remember that I write on military aviation history; more specifically, the history of the Indian Air Force (IAF), and especially its role in India’s post-independence wars. Thus, I’m pleased to announce the release of my second book on this subject: Eagles Over Bangladesh: The Indian Air Force in the 1971 Liberation War (HarperCollins, 2013). As with my first book on the Indian Air Force, The India-Pakistan Air War of 1965, this book is co-authored with PVS Jagan Mohan, India’s most accomplished military aviation historian. (My father and brother both flew for the IAF, in case you were curious why a philosophy professor is interested in military aviation history.)

Here is the cover for the hardback:

Screen Shot 2013-11-26 at 1.37.43 PM

Here is the jacket description:

In December 1971 Bangladesh was born. Its birthing was painful: it had suffered a brutal genocide conducted by its former countrymen from West Pakistan, and a war between the indigenous Mukti Bahini (Liberation Army) and the Indian Armed Forces on one side, and the West Pakistani Armed Forces on the other. War broke out on the Western and Eastern fronts in December 1971 and ended quickly; the West Pakistani Army surrendered in Dacca two weeks later. A significant factor in facilitating the Indian Army’s progress to Dacca was the IAF, which neutralized the Pakistan Air Force (PAF), and provided deadly, timely and accurate firepower to support the Indian Army. The IAF flew a variety of missions: counter-air raids on airfields, steep glide dive-bombing attacks on runways, aircombat with PAF Sabres, helicopter borne operations, paradropping, and shipping attacks. Eagles Over Bangladesh: The Indian Air Force in the 1971 Liberation War, provides a day by day recounting of the IAF’s activities, commencing with raids on Dacca on the first day of the war, and moving on to the final coup de grace delivered on the Governor’s House, all the while bolstered by first-person descriptions from IAF pilots. [links added]

Here is the cover for the paperback:

Eagles over bangladesh cover2

The Burdens of Proofreading and Copy-Editing

There must be some sort of writer’s law out there that captures the sensation I am about to describe: as your book approaches the finish line, and as the final proofreadings, corrections, indexing queries, and debates about jacket and cover compositions pile up, the author’s nausea at the sight of his former ‘dearly beloved’ increases in direct proportion.

I have described this sensation before:

[W]eary and exhausted by the endless redrafting, polishing and proof-reading, I want only to be done with the damn thing. It’s not as if I’ve considered the ‘product’ then to be complete; rather, it is that I cannot summon up the energy for another painfully close and exacting edit. (Months later, when I look at the submitted version, I’m astonished by how much dross I let get by me.)

Or:

[C]opy-editing is hard, tedious work, of course, leaving behind many a scar worn in by memories of endless, iterative checks.

That moment is upon me again. My co-author, PVS Jagan Mohan, and I are now getting close to the final production stages of the first volume of our history of the air war component of the 1971 Liberation War for Bangladesh. (This is the second book we have worked on together; the first was a one-volume history of the 1965 air war between India and Pakistan). The book has been eight years in the making and I can’t wait for it to be over. The lion’s share of the work has been done by Jagan, but I’m still exhausted. I can’t imagine how he feels.

As is evident, I do not enjoy this process of ‘finishing’ a book, so much so that in the past, I have suffered from anxiety-ridden dreams about it. There is always, in these closing stages, a particularly insidious fear: that the process of revisions will never end, that I will be stuck, making revisions and emendations, caught in a perpetual loop of sorts, never seeing a sentence, a paragraph, a page, a manuscript come to fruition. Writing is a series of hurdles; this last stage, just like the first one, feels like the hardest. (Well, there’s those middle stages too, when you doubt the wisdom of ever having started the journey.)

Nothing makes copy-editing and proofreading less tedious. This morning, I have played classical music and electronica as sonic accompaniment; they offer only partial solace; they won’t do the reading and corrections for me; they won’t make the act of reading these four hundred odd pages for the umpteenth time any easier. I have, of course, sought relief in distraction: perhaps Facebook, perhaps Twitter, perhaps more sensibly, a little play-time with my little daughter.

Somewhere in the distance, because of the presence of the PDF file of the final proofs resident on my desktop, I can sense the final finished product: a slick paperback with an artfully designed cover, my name on its spine. But it’s still distant, and I feel overcome, again, by a curious mix of tedium and anxiety.

This thing, this beast, is supposedly a virtual intangible thing, an electronic file. But as I crawl toward the finish, it weighs on me like something far more corporeal.

On School Libraries – I

The first school library I can remember using was during my sixth grade. I had transferred schools after the fifth grade, and perhaps because of the trauma of losing my favorite school teacher, some memories of those first five school years seem to have been obliterated. Including the ones about libraries.

My new school’s library had the standard furnishings: some open shelves, some books in shelves with glass doors (its collections were all hardcover), long reading tables, vertical stands for reading newspapers, and most prominently, the librarian, a stern-faced older gentleman who sat at a centrally located desk and peered out suspiciously from behind a pair of silver-rimmed spectacles at the grimy schoolboys and schoolgirls that filed in for their library class period. (He was the first to remind me that ‘my reputation’ preceded me; my brother studied in the same school and was well-known to him; thus did my determination to find an alternate locale to flourish in receive its first impetus.)

The library’s holdings were modest, obviously, compared to the other two libraries my parents were members of, and to which I, as a consequence, also enjoyed access: the British Council Library and the US Information Service Library. Still, it had its charms: I had my own library card, not a dependent’s; its collections of Indian magazines were unique; and of course, the library period, once a week, came as blessed relief from the onerous demands of the remaining seven class periods of the day. When it was over, and the bell rang, signalling our return back to our classrooms, I would reluctantly drag myself away from whichever reference book I had taken down from the shelves to peruse.

The library code of hushed silence was rather rigorously enforced, and more importantly, observed in those days; my abiding memory of the library period are the sounds of rustling pages, creaking fans and the occasional scrape of the chair pushed back by a reader going for seconds.

Among my various borrowings in the sixth, seventh and eighth grades–the three years that I spent in that school–I can only remember one: a compendium of photographs selected from one of India’s leading news magazines of the time: The Illustrated Weekly. I do not why this title was not in the reference section but I wasn’t about to turn down this particular gift horse. I took the tome home and spent hours poring over its black and white photographs. Among them, two shocking images from the 1971 war with Pakistan still persist in my mind’s eye: a young boy with his guts torn out by shrapnel and the reprisal bayoneting of razakars in a Dacca public square by Bengali militia (after the Pakistani Army surrender). 

I was a conscientious library patron; I never returned books late. (That nasty habit only reared its head once I began graduate school.) There was little chance I would, of course; I was a reasonably fast reader and I was eager to get on with the next borrowing, which would only be possible once I had returned the previous one.

I was a day student, and not a boarder, so my contact with the library was limited to that single period during the week. My relationship with libraries would change dramatically when I transferred in the ninth grade to a boarding school, a very different one in many respects.

On that experience, more anon.