In his review of Patrick Leigh Fermor‘s The Broken Road: From The Iron Gates to Mount Athos (eds. Colin Thubron and Artemis Cooper, New York Review Books, 2014) Daniel Mendelsohn writes: His deep affection and admiration for the Greeks are reflected in particularly colorful and suggestive writing. There is a passage in Mani in which the letters ofContinue reading “The Greek Alphabet: Making The Strange Familiar”
Tag Archives: Daniel Mendelsohn
Game of Thrones AKA The Widow’s Revenge
I quite enjoy HBO’s Game of Thrones and after accounting for all the sex and violence have often wondered why I find it so entertaining; I’m not inclined toward the fantasy genre under normal circumstances and do not think I had read any of its productions before Game of Thrones. (That has changed; I haveContinue reading “Game of Thrones AKA The Widow’s Revenge”
Henry James on the ‘Fatal Cheapness’ of the Historical Novel
Reviewing Colm Tóibín‘s The Master, a ‘novelistic portrait’ of Henry James, Daniel Mendelsohn writes: ”The Master” is not, of course, a novel about just any man, but rather a novel about a figure from the past about whom we know an extraordinarily great deal, through both his own and others’ memoirs, books and letters. As Toibin wellContinue reading “Henry James on the ‘Fatal Cheapness’ of the Historical Novel”
Epistolary Warfare in the Letters Section
Readers of the New York Review of Books are used to the sometimes intemperate, bordering-on-pedantic, yet-always-carefully-crafted display of bruised egos that takes up so much space toward the end of each issue. I am referring, of course, to the Letters section. Here the author, formerly delighted to find out his masterpiece was to be reviewedContinue reading “Epistolary Warfare in the Letters Section”
Samir Chopra 