Reviewing Colm Tóibín‘s The Master, a ‘novelistic portrait’ of Henry James, Daniel Mendelsohn writes: ”The Master” is not, of course, a novel about just any man, but rather a novel about a figure from the past about whom we know an extraordinarily great deal, through both his own and others’ memoirs, books and letters. As Toibin wellContinue reading “Henry James on the ‘Fatal Cheapness’ of the Historical Novel”