The Killing and the Death That Dare Not Speak Its Name

One important feature of AMC’s The Killing, (the subject of yesterday’s post), which it inherits from the Danish original Forbrydelsen, is its focus on the effect of the central murder on the victim’s family. In so doing, the show manages to be, besides the imperfect police procedural, a painful examination of the most commonly ignoredContinue reading “The Killing and the Death That Dare Not Speak Its Name”

The Killing as Cautionary Police Procedural

If Wikipedia’s entry for “police procedural” is any indicator, AMC’s The Killing is not commonly thought of as one. But despite being a traditional whodunit, it has many of the features of that genre; it depicts “a number of police-related topics such as forensics, autopsies, the gathering of evidence, the use of search warrants andContinue reading “The Killing as Cautionary Police Procedural”

Dexter, Psychopaths, and Vigilante Justice

Dexter provoked a great deal of commentary–as any long-running television serial on a killer-killing serial killer would (and should.) Now that I’ve finished the show–all eight seasons of it, after feeling several times during the sixth season that I would never make it to the end–I’ll throw in my tuppence. Dexter‘s central conceit–the killings mentionedContinue reading “Dexter, Psychopaths, and Vigilante Justice”