On Encountering Resistance And Lovin’ It

This morning my four-year old daughter marched into our living room, and clutching a ‘storybook’–a collection of tales based on Disney’s Frozensaid, “Papa, this is my favorite storybook. I like it a lot. I know you don’t like it, because I know you don’t like princesses.” Having made this announcement, she walked over to the couch, sat down, and thumbing through its pages, began ‘reading’ aloud to herself. (My daughter cannot as yet read, but she likes to make up her own versions of the stories she has had read to her; needless to say, some rather interesting plot twists result in her recountings.)

I listened to her announcement and watched her ‘read’ with some pride.

She was right in surmising that I ‘don’t like princesses.’ I’ve often said uncomplimentary things about ‘princesses’ in front of my daughter: they dress up too much; their clothes won’t allow them to play in the playground, or go climbing or hiking; they seem to spend too much worrying about what they look like. When we see a video of a sportswoman or a female performing artists, I make sure to point out that the athlete looks nothing like a ‘princess’; princesses don’t play guitars or the drums; and so on. You know, the usual things a parent concerned about the relentless ideological assault of the pink princess advertising machine–the toys, the T-shirts, the make-up kits, the stories of being rescued by princes, the unrealistic body images of skinny, blond, white girls–would do. My daughter has clearly been listening and watching; she knows her father doesn’t ‘like princesses.’

But she does like the adventures of Anna and Elsa, and all the excitement, magic, monsters, and animals that seems to enter their lives. (I’ve still not seen Frozen and I don’t think I ever will but I’ve read out a couple of the stories from that book to her so I have some idea of what entertains my daughter.)

But over and above the fact that my daughter is capable of spending time by herself with a book, what about her remark made me regard it with some pride? Well, she does seem to have established some crucial distance between what I want and what she wants for herself; she doesn’t seem to be entirely reliant on seeking my approval–she did not, after all, walk up to me and plaintively ask me for permission to read her book. Rather, she acknowledged a disagreement between the two of us, and then went ahead and did what she wanted. (I would like to think she regards Anna and Elsa’s adventures as showcasing activities that the princesses I don’t ‘like’ don’t seem to engage in–those two get up to considerably more action than the typical princess–and so, in some ways, even her liking the tales in Frozen reflected my interactions with her.) I’ve often told my daughter that she should ‘do what she wants’ and not ‘worry about what other people say.’ Today, she did just that, and what’s better, she didn’t care about what someone in a position of authority had to say about what she liked and wanted to do.

The Joys Of Crying

I cry easily; so I cry a lot. Many, many things set me off: movies, songs, talking about my parents, a sportsman’s death, showing my daughter music videos of songs that I listened to as a teenager, Saturn V liftoffs, the misfortune of others in the world’s ‘disaster zones,’ witnessing random acts of kindness on the subway, a busker hitting all the right notes, political disaster–the list goes on, and it doesn’t seem to settle into a coherent pattern. Nostalgia features prominently here; as does a new-found vulnerability and fearfulness made vividly manifest after my daughter’s entry into this world. I’m an immigrant and adult orphan, so memories are especially precious; and I suspect they color my perception of most things I encounter on my daily journeys through work and parenting and the usual reading and writing. (A beautiful turn of phrase, a fictional character’s terrible, tragic fate can also get the tear glands working overtime.)

As I wrote here a while ago:

I’ve become a better, not worse, crier over the years. Growing up hasn’t made me cry less, now that I’m all ‘grown-up’ and a really big boy. Au contraire, I cry–roughly defined as ‘tears in the eyes’ or ‘lumps in the throat which leave me incapable of speech’ even if not ‘sobbing’–more. There is more to cry about now, more to get the tear glands working overtime: more memories, more days gone by, more nostalgia, more regrets, more friends gone, never to return, more evidence of this world’s implacable indifference to our hopes and desires–for ourselves and ours. I cry in company–sometimes, when I’m trying to tell a story and realize I cannot proceed; I cry when I’m alone. I cry on my couch when watching a movie. And just to make sure I’m a genuine New Yorker, I’ve cried on the subway.

Truth is, crying feels good. It is actually intensely pleasurable; to cry is to feel alive, powerfully so. I am not jaded and cynical, impervious to things that should hurt or feel good; crying tells me I’m still capable of powerful emotional responses, that I have not become blasé to this world’s offerings.  Crying slows things down; for its duration, there is an intense concentration on the engendered emotion. All else falls away; in a world of eternal distraction, in which time has sped up, where all is a whirl, crying is a blessing.

But crying isn’t just a reaction to an external event or stimulus; it’s an act of communication with oneself. Crying is informative, a message from self to self. It tells me what hurts, what feels good, what I remember, who I miss, what got under my skin, and stayed there. It informs others too, of course, about who I am, but that is not its most important function. That honor is reserved for the self-knowledge it makes possible, the picture it completes of me, the reminder it provides that I’m many things and many people, spread out over time and space, still trying to hang together.

Letting Your Childhood Make Your Parenting Easier

To be a good parent, think like a child. Well, that was deep. Let me see if I can unpack that. First, think like the child you were, or imagine and remember yourself as being; in any case, this is the best you can do. Now, think about what your perception of your  parents was like in that time of your life–again, as best as you can remember it. Take as long as you like. (Some of us might need extended therapy sessions to induce such self-knowledge.) Got that? Good. Now, open your eyes, and look around at your parenting world: are you now open to the possibility your child might be perceiving the world–and your place within it–the way you  used to? And if that is the case, do you have any reason to imagine your child needs the  parenting you think it does?

I make these suggestions to reduce some of the parental anxiety that comes from a peculiar sort of overburdening of the child: ascribing to him or her fears, anxieties, needs, beliefs, that exist largely within parental fancies and imaginings.  The best antidote to such anxieties is the thought experiment I describe above. (Standard caveats about neurotic responses to my suggestions apply; neuroses will construct parental memories as feverishly anxious as they need to be in order to sustain present parenting patterns.)

I am drawn to make such claims because–as might be imagined, I revisited an episode of parental anxiety, and was able to mitigate it somewhat by casting my mind back as I described above. When I’m alone at home with my daughter, I often fret about whether she is sufficiently occupied, whether she can be alone by herself while I attend to something else that needs my time. Because I often suffered from loneliness in my teen years (and sometimes even later), my usually melancholic disposition drew me to project these same feelings onto my daughter, causing me untold worry if I were to ever consider stepping away from her; I would imagine her lost and bewildered, wondering what to do, floundering about helplessly in her isolation. But when I thought back to what my reactions were as a toddler when left to my devices by my parents–as far as such memories can be trusted–I realized I had been rather comfortable in those circumstances: I had daydreamed, played with my limited collection of toys, browsed through picture books, or just investigated perfectly ordinary physical objects in my surroundings. Interestingly enough, those times had been rather enjoyable; I wasn’t constantly having instructions pertaining to ‘reality’ thrust in my face, and could just play with the elements of the various fantastic worlds I inhabited. When I see how my daughter occupies herself when she is ‘left alone,’ I sense some of these diversions–or activities like them–occupy considerable time and space for her as well.  If that’s the case, she’ll be perfectly fine while I step away; in fact, she might even welcome it. (As interestingly enough, she has reassured me on occasion when I check in her to find out if it’s OK for me to ‘do my thing.’)

There are many ways in which our childhood is a burden for our parenting; there are others by which it can relieve some of its cares.

The Endless Surprises Of Memory

Memory is a truly wondrous thing. A couple of weeks ago, I met an old friend’s younger brother for lunch in midtown Manhattan; we were meeting after over thirty years. We ordered food, grabbed our trays, and headed to a table, our conversation already picking up pace as we did so. We talked about our high school days (his brother and I had been in the same class; the ‘kid’ had been a year junior); I asked about his sister, whose home in Delaware I had visited a few times during my first years in the United States; we laughed uproariously, as all those who reunite seem to do, when recounting tales of days gone by, which now suddenly seem more peculiar, more distinctive, with their ever-increasing vintage; and of course, we talked about my friend, now physically absent, but who loomed larger than life as the reason which had brought our two lives together. In the course of our conversation, I made note of how I  used to walk over to my friends’ home in New Delhi; the section of town I lived in was about a mile or so away, and walking and biking roads offered an easy connection. As I offered up this little recollection, a thought went through my mind; my friend’s house, like all those in planned ‘residential colonies’ in New Delhi, had an alphanumeric address consisting of a ‘block’ letter and a number; it seemed to me I could remember it. (Mine was S-333; the three hundred and thirty-third residential ‘plot’ in ‘S’ Block. Quite obviously, I remembered this address; only a nihilist cannot remember his childhood home’s location.)

This fact, of my being able to remember my friend’s old address, caused me some astonishment; I sought confirmation of this remarkable feat. I asked my friend for some; he supplied it. I had remembered his childhood home’s address–I-1805–clearly and distinctly. I had not thought about this alphanumeric combination for over thirty years now; and yet, somehow, by dint of being placed into a context in which it was relevant, I had been able to summon up its details with little difficulty. Other details came flooding back too, unprompted and unbidden. I felt an older self within me stir; amnesia fell away.

I will freely admit–as an immigrant who lost his parents a very long time ago–to being obsessed with memory and nostalgia and recollection. (I am surprised that I did not do more academic work on memory, given my interests in the philosophy of mind and the conceptual foundations of artificial intelligence; I am unsurprised that I was deeply fascinated by the work my friend John Sutton did in the same field.)  Here again, was another instance of why this particular human capacity captivated me endlessly. And I could not but wonder yet again about the nature of my self, and of the interactions of memory with it: how much remained, ‘locked away,’ in the recesses of my cranial stories, merely awaiting for the right contextual cue to be reinvigorated; are there other discoveries and understandings of myself possible as a result?

Parental Anxiety And Its True Subject

In ‘What The Childless Fathers of Existentialism Teach Real DadsJohn Kaag and Clancy Martin write:

Why do we put limits on our children? Why is a daughter not allowed to climb that tree or jump across a river?…Why are neither daughters nor sons allowed to run away? Father knows best….virtually all fathers think that they are operating in their child’s best interests, but we have been at this long enough to know, if we are honest or authentic, that most of us protect our children, at least in part, because we are avoiding or coming to grips with our own Kierkegaardian anxiety. The more we argue that it is about the kids’ safety, the more obvious it is that it is all about us. [link added.]

Kaag and Martin’s insight here is available to most parents by the briefest of introspections: examine your feelings as your child comes to harm, or even approaches it; pay close attention; what you are averse to is that terror you experienced when you first let the full range of possibilities that awaited your child fully sink in. ‘Don’t ever do that again!’ we say, but sotto voce, we continue, ‘Because I don’t ever want to feel like that again.’

Interestingly enough, I had an inkling of this aspect of parenthood as a child, when I witnessed my mother’s reaction to my brother after he had injured himself at the playground:

My mother’s face blanched as she saw my brother’s face. But she said nothing as she raced to the medicine cabinet and returning with cotton wool swabs, a mug of water, and some antiseptic solution, quickly got to work. She efficiently cleaned and wiped and medicated. And then, one of her swipes revealed that the blood on the face did not conceal a gouged out eye. My brother had not been blinded; he had gotten away with a cut above the eye.

At this point, my mother slapped my brother. It wasn’t a hard blow; but a stinger across the cheek, nonetheless. My brother, quietly undergoing the patchwork till then, stared back at my mother, astonished and hurt….Watching this little drama go down, I wasn’t puzzled at all. My mother must have been petrified when I had brought my brother home late, a bloody mess. She loved us, powerfully, a love that often racked her with deep fears that we might ever be hurt in any way. But she had suppressed every other reaction of hers in favor of immediately providing succor to him. With the most immediate wounds cleaned and shown to be non-threatening, her relief had combined with the anger she had felt at my brother for subjecting her to that terrible anxiety.  That slap followed. I felt sorry for my brother but I felt for my mother too. I knew why she had snapped. And slapped.

Perhaps I’m overstating the knowledge I possessed at the moment, but not by too much. I was about seven or so years old and I had had ample opportunity to study my mother’s  interactions with us. Her anxiety about us was transparent in action and word; as mine about my daughter is to me now.

On Being Able To Forge My Father’s Signature

A few years after my father passed away, I began to be able to forge his signature. One day, on a lark, I picked up a pen and tried to sign his name; much to my surprise, a reasonable facsimile stood forth. I stared at it for a few seconds, and then tried again. The resemblance of my production to the original grew; or so it seemed. There was no point to this exercise of mine; there were no documents to be forged, no school report to be faked. I’d just been curious to see if I could emulate my father in at least one dimension, one that had always seemed to capture, quite acutely, at least one aspect of the irrepressible flair I associated with him.  I called out to my mother and showed her my ‘work’: she agreed I had, indeed, made a good copy. There it was: the distinctive ‘P’ of his first name, which required an extravagant loop to close the ‘top’, and then, a quick, seemingly unintelligible sequence of lower-case letters, followed by the extravagant ‘C’ that began his last name, followed by yet another quick run of lower-case letters, and then, finally the closing flourish, a sharp, short line drawn underneath the first and last names, finished off with a pair of stylish dots. I had seen that signature hundreds of times: on report cards from school; on letters my father had written to his brothers, my grandfather, my mother; on official documents pertaining to his service in the Air Force; on various official documents that always seemed to be required by the ever-present state bureaucracy that pervaded our middle-class lives. I had seen my father draw it quickly and efficiently, mostly with a fountain pen. I’d always marvelled at how he closed the loop on the ‘P’; he seemed to throw his fingers and the pen upwards, and then drew them sharply down, so that the closed ‘P’ looked like a balloon floating above the stem below.

I know I carry around traces of my father in me; in the books I read; in the music I listen to; in the pleasures I find in the outdoors; in the ways I respond to the sights and sounds of aviation. I‘ve even tried to emulate his appearance; the crewcut I sport and the aviator sunglasses I wear suggest I haven’t given up on this endeavour. My father didn’t know it, but I paid him a lot of attention. That successful attempt at forging my father’s signature showed that somehow, through all those sessions of observation, I had internalized his actions; or perhaps there was some ‘machinery’ in me that made it possible for me to function in the same way.

I‘ve made note here of how I think my parents live on in me and my life. That successful attempt at forgery might have been another way to make my father alive in me again. As I enter a stage of life–the middle-aged years–that my father never got a chance to live through, I wonder how else his presence will manifest itself.

Rediscovering Songs With Children: The Case Of White Rabbit

We like some songs more than others; we play them more often than we do others, wearing out vinyl, styluses, and cassette tapes till we hit the digital. Some songs grow stale; we find them overly familiar; but every once in a while, we return to them, and discover them anew. Sometimes it is because we hear an old favorite under the influence of psychotropic substances; sometimes in a new setting and place–perhaps while making love to a new flame, driving through new lands, talking to a stranger in a strange land, or hearing it piped through the awesome machinery of a magnificent audio system, which suddenly renders clear notes and melodies and lyrics you had never heard before.

My personal roster of rediscoveries must now include the renewed exploration of favorites with my four-year old daughter. And among these, pride of place must go to Jefferson Airplane‘s White Rabbit (a song written by Grace Slick); I first heard the song as an undergraduate, not bothering to pay attention to anything other than the song’s psychedelic feel; it prompted endless replays of a beat-up tape. Later, once I had discovered pot, White Rabbit was rediscovered anew; years on, once I had paid more attention to the lyrics, and also partaken of psychedelics myself, White Rabbit took on another new dimension. The years rolled on, White Rabbit became consigned to the past. I did not disdain the song; I did not ‘grow out of it’; but I did not seek it out either.

And then, my daughter was born. And earlier this year, on my birthday, my wife and I introduced her to Alice’s Adventures in Wonderland at Brooklyn’s Puppet Works. During the show, many adults in the audience, including me, giggled at the references to mushrooms, growing tall, strange visions, and indeed, the very idea of being transported to strange lands where all is topsy-turvy, and old verities are no longer so. My daughter was delighted with the tale; she quoted from it endlessly; and she was very enamored of the movie versions we subsequently exposed her to.

And so last week, as I sat down again with my daughter to listen to some music with her–in the form of a few music videos–I decided I would play White Rabbit for her. I found a version of Jefferson Airplane’s live performance of White Rabbit at Woodstock in which  the lyrics flash up on the screen and make singing along easier; which is what I did, loudly, bringing forth the most amazing expressions imaginable from my daughter–she loved the lyrics’ evocation of the characters and oddities of the land she had traveled to. I played the song twice and tried to get her to sing along the second time, and she did try, for after all, her favorite, Alice, was featuring in a wholly new kind of song:

One pill makes you larger
And one pill makes you small
And the ones that mother gives you
Don’t do anything at all
Go ask Alice
When she’s ten feet tall

And if you go chasing rabbits
And you know you’re going to fall
Tell ’em a hookah-smoking caterpillar
Has given you the call
Call Alice
When she was just small

When the men on the chessboard
Get up and tell you where to go
And you’ve just had some kind of mushroom
And your mind is moving low
Go ask Alice
I think she’ll know

When logic and proportion
Have fallen sloppy dead
And the White Knight is talking backwards
And the Red Queen’s off with her head
Remember what the dormouse said
Feed your head
Feed your head

Before I became a parent, I’d been told I would see the world anew through the eyes of my child; ’tis true, but you also hear it differently. I’m not going to be able to listen to White Rabbit now without thinking of my daughter–and Alice.