In Journey to the End of the Night, Céline‘s central character, Ferdinand Bardamu is confronted with uncontrovertible evidence of moral goodness in Sergeant Alcide–who is nobly working away in a remote colonial outpost to financially support a niece who is little more than a perfect stranger to him. That night, as Bardamu gazes at the sleeping Alcide, nowContinue reading “That Elusive Mark By Which To Distinguish Good People From Bad”