That Elusive Mark By Which To Distinguish Good People From Bad

In Journey to the End of the Night, Céline‘s central character, Ferdinand Bardamu is confronted with uncontrovertible evidence of moral goodness in Sergeant Alcide–who is nobly working away in a remote colonial outpost to financially support a niece who is little more than a perfect stranger to him. That night, as Bardamu gazes at the sleeping Alcide, nowContinue reading “That Elusive Mark By Which To Distinguish Good People From Bad”

Zoë Heller on the ‘Shocking’ Role of ‘Aesthetic Grounds’ in Moral Judgments:

I quite enjoyed reading Zoë Heller‘s review of Janet Malcolm‘s Forty-One False Starts: Essays on Artists and Writers but I’m not inclined to join her in all the hosannas she sends Malcolm’s way. Consider for instance, the assessment she makes of a judgement offered by Malcolm: In the absence of moral certainty, Malcolm suggests, our sympathies areContinue reading “Zoë Heller on the ‘Shocking’ Role of ‘Aesthetic Grounds’ in Moral Judgments:”