I quite enjoyed reading Zoë Heller‘s review of Janet Malcolm‘s Forty-One False Starts: Essays on Artists and Writers but I’m not inclined to join her in all the hosannas she sends Malcolm’s way. Consider for instance, the assessment she makes of a judgement offered by Malcolm: In the absence of moral certainty, Malcolm suggests, our sympathies areContinue reading “Zoë Heller on the ‘Shocking’ Role of ‘Aesthetic Grounds’ in Moral Judgments:”