Geertz, Trilling and Fussell on the Transformation of the Moral Imagination

In ‘Found in Translation: Social History of Moral Imagination’, (from Local Knowledge: Essays in Interpretive Anthropology, Basic Books, New York, 1983, pp 44-45), Clifford Geertz writes, Whatever use the imagination productions of other peoples–predecessors, ancestors, or distant cousins–can have for our moral lives, then, it cannot be to simplify them. The image of the past (orContinue reading “Geertz, Trilling and Fussell on the Transformation of the Moral Imagination”

The Unsurprising Renaissance of Reading

Last week, Timothy Egan’s column in the New York Times noted an apparently surprising outcome of the presence of e-book readers and a ‘digital monolith’ like amazon.com, which should have resulted in the loss of the culture of reading, the loss of the culture of “ideas printed on dead trees’ to that of  ‘the soullessContinue reading “The Unsurprising Renaissance of Reading”

Video Games and Literature: Producers of Social Dysfunction?

In the December 20th 2010 issue of The New Yorker, Nick Paumgarten wrote a profile of the video-game designer Shigeru Miyamoto (creator of, according to Wikipedia–“some of the most successful video game franchises of all time, including Mario, Donkey Kong, The Legend of Zelda, Star Fox, F-Zero, Pikmin, and the Wii series“). In the course of that article, Paumgarten wrote that games, regardless of how much we mayContinue reading “Video Games and Literature: Producers of Social Dysfunction?”

Ann Patchett is Wrong About the Pulitzers

Ann Patchett has an Op-Ed in today’s New York Times, which waxes angsty over the failure of the Pulitzer committee to award a prize in fiction this year: This decision, besides affecting book sales, might lead readers to think there wasn’t any good fiction around. For as Patchett puts it, the Pulitzers are indispensable inContinue reading “Ann Patchett is Wrong About the Pulitzers”

Schopenhauer on the Pernicious Influence of Copyright on Writing

Modern debates on the ‘intellectual property’ front involve several, overlapping, recurring themes. One persistent pair of inter-related concerns is: How are creators, authors, artists, ‘content producers’, and the like to be compensated for their ‘contributions’ to our commons? and, How indispensable are the protections of the various legal regimes that are termed ‘intellectual property’ (andContinue reading “Schopenhauer on the Pernicious Influence of Copyright on Writing”

Fiction, Non-Fiction, “Popularity,” and “Seriousness”

Back in December-January, I wrote a series of posts on fiction and non-fiction writers, in particular, on the relative endurance of their writings in posterity. I wondered whether essayists and non-fiction writers stood less of a chance of having their work read by future generations than did novelists and fiction writers, what the causes forContinue reading “Fiction, Non-Fiction, “Popularity,” and “Seriousness””

Banville on Beckett: Can There Be An “Abstract Literature”?

Can there be an “abstract literature”? In his review of The Letters of Samuel Beckett, Volume II: 1941–1956 John Banville says No. At best, abstract writing can aspire to some form of, to quote Beckett, “nominalistic irony.” Banville  rejects Pascale Casanova’s claim that Beckett’s Worstward Ho was “the triumphant culmination of Beckett’s effort to forge an “abstract” literature,” a “pureContinue reading “Banville on Beckett: Can There Be An “Abstract Literature”?”