Kōbō Abe’s The Woman in the Dunes wears and displays its existentialist, absurdist aspirations openly and transparently; this is its terse Wikipedia summation: In 1955, Jumpei Niki, a schoolteacher from Tokyo, visits a fishing village to collect insects. After missing the last bus, he is led, by the villagers, in an act of apparent hospitality, to a houseContinue reading “Kōbō Abe’s ‘Woman in The Dunes’ And The Scientist’s Existentialist Despair”