Some Philip Roth Moments

Philip Roth is dead. I read many of his books over the years. Here, in no particular order, are some recollections of those encounters: I discover Portnoy’s Complaint in graduate school. This, I’m sure you will agree, is a strange time for someone to ‘find’ Roth, especially when you consider that the person doing theContinue reading “Some Philip Roth Moments”

Philip Roth and Writing for One’s ‘Community’

In reviewing Claudia Roth Pierpont‘s Roth Unbound: A Writer and his Books, Adam Mars-Jones writes: Letting Go…hadn’t yet been published when Roth was given a hostile reception at a symposium organised by Yeshiva University….The topic was ‘The Crisis of Conscience in Minority Writers of Fiction’, and the idea seemed to be, if he didn’t alreadyContinue reading “Philip Roth and Writing for One’s ‘Community’”

History as Chronicle of the Inevitable

From Philip Roth’s The Plot Against America: [A]s Lindbergh’s election couldn’t have made clearer to me, the unfolding of the unforeseen was everything. Turned wrong way round, the relentless unforeseen was what we schoolchildren studied as “History,” harmless history, where everything unexpected in its own time is chronicled on the page as inevitable.  The terrorContinue reading “History as Chronicle of the Inevitable”

Fearful Reveries, Penal Colonies and Death in the Dark Ocean

In Everyman (Vintage, 2006), Philip Roth writes of his central protagonist’s fears that intrude into an otherwise idyllic sojourn by the sea: The only unsettling moments were at night, when they walked along the beach together. The dark sea rolling in with its momentous thud and the sky lavish with stars made Phoebe rapturous but frightenedContinue reading “Fearful Reveries, Penal Colonies and Death in the Dark Ocean”