Ian McEwan’s ‘Atonement’ and Post-Apocalyptic Literature

There comes a moment, as the reader moves through Part Two of Ian McEwan‘s Atonement, of sensing something familiar and  recognizable, a deja-vu of sorts, in the sparse yet rich, brutal, unsparing descriptions of physical and moral catastrophe on the long, hot, bloodstained road of retreat to Dunkirk. They are all here: the dead–animal andContinue reading “Ian McEwan’s ‘Atonement’ and Post-Apocalyptic Literature”