Freedom in the Absence of Social Convention

In reviewing Arturo Fontaine‘s La Vida Doble, “a harrowing examination of violence during the Pinochet period,” whose heroine is Lorena, “a female terrorist who is tortured, changes sides, and becomes a torturer herself”, David Gallagher writes: But why in fact do good fathers and meek husbands and generous lovers undertake such cruel torture? Here Lorena seesContinue reading “Freedom in the Absence of Social Convention”

No Atheists in Foxholes, My Ass

Here is vignette #7 from Ernest Hemingway‘s In Our Time: While the bombardment was knocking the trench to pieces at Fossalta, he lay very flat and sweated and prayed oh jesus christ get me out of here. Dear jesus please get me out . Christ please please please christ. If you’ll only keep me from gettingContinue reading “No Atheists in Foxholes, My Ass”

Steven Soderbergh’s Contagion: Portrait of the Apocalypse

If you find speculation about post-apocalyptic situations interesting, then you should find speculation about the progression of an apocalypse interesting too. Steve Soderbergh‘s Contagion is a fine cinematic take on this eventuality. The movie’s plot is simple: a deadly new virus jumps the animal-human barrier, and is transmitted quickly by contact. The virus’ first appearance occursContinue reading “Steven Soderbergh’s Contagion: Portrait of the Apocalypse”

‘The Road’ and the Centrality of Love for Existence

How can a difficult read be an easy one? It can be easy because the difficulty is compelling and seductive, because ‘difficult’ does not mean ‘obscure’, because difficult can be worthy of admiration. A few days ago, when I saw John Hillcoat‘s The Road, based on Cormac McCarthy‘s novel of the same name, I had not yetContinue reading “‘The Road’ and the Centrality of Love for Existence”

The Post-Apocalyptic Zone of Moral Instruction

During a Facebook discussion in response to my post yesterday on The Road, my friend Maureen Eckert wrote: I am never sure what to make of “post-apocalyptic porn.” On the one hand they seem to be thought experiments about the “State of Nature.” On the other, they seem to tend to express exaggerated exasperation withContinue reading “The Post-Apocalyptic Zone of Moral Instruction”

John Hillcoat’s ‘The Road’: Bleak and Unsparing

John Hillcoat’s The Road is a faithful cinematic adaptation of Cormac McCarthy‘s bleak vision of a post-apocalyptic world. It is almost unrelentingly grim because it is unsparing about the bitter truths of a world in which food and morality are both in short supply: existence is a mere step up from the eventual slow deathContinue reading “John Hillcoat’s ‘The Road’: Bleak and Unsparing”