In Sons and Lovers (1913), D. H. Lawrence directs many glances at the Derbyshire landscape, often through his characters’ distinctive visions. Here is one, this time through Paul Morel: He was brooding now, staring out over the country from under sullen brows. The little, interesting diversity of shapes had vanished from the scene; all thatContinue reading “Paul Morel and Travis Bickle: The World-Dissolving Melancholic Gaze”