In Conversations with Goethe With Johann Peter Eckermann, Goethe says, People are always talking about originality; but what do they mean? As soon as we are born, the world begins to work upon us and goes on to the end. What can we call our own except energy, strength, and will? If I could give anContinue reading “Goethe On The Artist’s Supposed ‘Originality’”
Tag Archives: artists
Late Work And Shying Away From Decay And Death
In ‘Late Francis Bacon: Spirit and Substance‘ Colm Tóibín writes: It would be easy to imagine…that Thomas Mann’s Death in Venice was written toward the end of his life. In fact, it was written in 1911, when Mann was thirty-six. It is a young man’s book; its images of desire, decay, and death could not be soContinue reading “Late Work And Shying Away From Decay And Death”
Freidrich Hebbel’s ‘Profound Question’
In ‘Notebook 11, February 1817’ from Writings From The Early Notebooks (eds. Raymond Geuss and Alexander Nehamas, Cambridge Texts in the History of Philosophy, Cambridge University Press, New York, 2009, p. 81), Nietzsche cites “a profound question of Friedrich Hebbel” [link added]: If the artist made a picture, knowing that it would last for ever, ButContinue reading “Freidrich Hebbel’s ‘Profound Question’”
‘The Spring is The Autumn’
In ‘Henriette Wyeth: Scenes from a painter’s life’ (from A Certain Climate, Wesleyan University Press, Middletown, 1988, pp. 164) Paul Horgan makes note of, and subsequently quotes Wyeth on, the wellsprings of her work: Ideas added to feeling, then, inform both her still lifes and portraits, and the most constant impulse is the desire to recordContinue reading “‘The Spring is The Autumn’”
Descartes, The Planned City, And Misplaced Philosophical Desires
In Part 2 of Discourse on the Method of Rightly Conducting the Reason and Seeking for Truth in the Sciences Rene Descartes, as a prelude to his ‘clearing away’ of prior philosophy, writes: [T]here is very often less perfection in works composed of several portions, and carried out by the hands of various masters, than inContinue reading “Descartes, The Planned City, And Misplaced Philosophical Desires”
Freud On Group Production (And ‘Intellectual Property’)
In ‘Group Pyschology’, (Standard Edition, XVIII, 79; as cited in Peter Gay, Freud for Historians, Oxford University Press, 1985, pp. 150), Sigmund Freud writes: [A]s far as intellectual achievement is concerned, it remains indeed true that the great decisions of the work of thought, the consequential discoveries and solutions of problems, are possible only toContinue reading “Freud On Group Production (And ‘Intellectual Property’)”
Skyler White, The Anti-Muse?
Yesterday I wrote a short response to Anna Gunn‘s New York Times Op-Ed about the negative reaction to the Skyler White character on Breaking Bad. I want to add a couple of points to that today. Some of the adverse reaction to Skyler finds its grounding in her instantiation of an archetype that I alluded toContinue reading “Skyler White, The Anti-Muse?”
Adam Gopnik on the Scientist’s Lack of ‘Heroic Morals’
In an essay reviewing some contemporary historical work on Galileo, (‘Moon Man: What Galileo saw‘, The New Yorker, February 11, 2013), Adam Gopnik, noting Galileo’s less-than-heroic quasi-recantation before the Catholic Church, writes: Could he, as Brecht might have wanted, have done otherwise, acted more heroically? Milton’s Galileo was a free man imprisoned by intolerance. What wouldContinue reading “Adam Gopnik on the Scientist’s Lack of ‘Heroic Morals’”
Seamus Perry on Samuel Palmer and the Laying Bare of the Artist
A quick pre-disclaimer: Pardon me for referencing the London Review of Books two days in a row, but that’s what weekend-catching-up-with-a-stack-of-unread reviews can do to you. In reviewing Rachel Campbell-Johnson‘s Mysterious Wisdom: The Life and Work of Samuel Palmer (‘The Shoreham Gang‘, LRB, 5th April 20120), and in particular, on Palmer‘s ‘The Valley Thick with Corn,’Continue reading “Seamus Perry on Samuel Palmer and the Laying Bare of the Artist”
The ‘Narcissism of the True Artist’ and Reading What One Writes
In his seminal Nietzsche: The Man and his Philosophy, RJ Hollingdale, after noting that Nietzsche made note of some forty-six poems composed between 1855 and 1858, goes on to say: The sign that he was a born writer, however, is not to be found in them, but in a remark in Aus Meinem Leben [From My Life],Continue reading “The ‘Narcissism of the True Artist’ and Reading What One Writes”
Samir Chopra 