Louis Mackay has an interesting article at the London Review of Books Blog (‘Tintin in China’, 11 June 2012) , which continues an examination–commenced by Christopher Taylor (LRB, 7 June 2012)–of the Chinese artist Zhang Congren’s influence on Tintin‘s creator Hergé. (In particular his influence on one of Hergé’s earliest Tintin adventures, The Blue Lotus.) Zhang influencedContinue reading “Reflections on Translations – IV: Embedded, Untranslated Text, and Tintin”
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Samir Chopra 