Nikolai Berdayev On Philosophy’s Therapeutic Function

In Dream and Reality: An Essay in Autobiography (Macmillan, 1950) Nikolai Berdayev writes: It has been said that ‘green is the tree of life and grey the theory of life.’ Paradoxical though it may seem, I am inclined to think that the reverse is true: ‘grey is the tree of life and green the theory thereof.’…What isContinue reading “Nikolai Berdayev On Philosophy’s Therapeutic Function”

On Failing In Our Own Style

In Flaubert’s Parrot (Vintage International, New York, 1990, pp. 39) Julian Barnes writes: But then Ed Winterton liked to present himself as a failure…. His air of failure had nothing desperate about it; rather, it seemed to stem from an unresented realisation that he was not cut out for success, and his duty was therefore toContinue reading “On Failing In Our Own Style”

Crying For Anna Karenina

I’ve become a better, not worse, crier over the years. Growing up hasn’t made me cry less, now that I’m all ‘grown-up’ and a really big boy. Au contraire, I cry–roughly defined as ‘tears in the eyes’ or ‘lumps in the throat which leave me incapable of speech’ even if not ‘sobbing’–more. There is moreContinue reading “Crying For Anna Karenina”

Camus On The Death Penalty And The Right To Make Amends

In Reflections on the Guillotine Albert Camus writes: Deciding that a man must have the definitive punishment imposed on him is tantamount to deciding that that man has no chance of making amends….none among us can settle the question, for we are all both judges and interested parties. Whence our uncertainty as to our right to kill and our inability to convinceContinue reading “Camus On The Death Penalty And The Right To Make Amends”

Jacob Bronowski on the Missing Shakespeare of the Bushmen

Jacob Bronowski–who so entertained and edified many of us with The Ascent of Man–was very often a wise man but he was also Eurocentric, a weakness that produced astonishingly reductive views about the ‘East’, about ‘uncivilized’ and ‘uncultured’ societies. This inclination is noticeably on display in his dialog The Abacus and the Rose,¹ in the courseContinue reading “Jacob Bronowski on the Missing Shakespeare of the Bushmen”

Christopher Buckley and Dipsomania: Apparently Hard To Let It Go

The writers of great literature often supply us mere mortals with memorable lines, especially if they serve as the openers for their works. Thus, for instance, Tolstoy‘s Taxonomy of the Family, which kicks off Anna Karenina: All happy families are alike; each unhappy family is unhappy in its own way. This serves as raw material for endless variationsContinue reading “Christopher Buckley and Dipsomania: Apparently Hard To Let It Go”

Mary McCarthy on Madame Bovary as Neurotic

Among the most famous descriptions of Emma Bovary are Mary McCarthy‘s cutting lines: [She] is a very ordinary middle-class woman, with banal expectations of life and an urge to dominate her surroundings. Her character is remarkable only for an unusual deficiency of natural feeling. Ouch. But what follows these lines is a perhaps more interestingContinue reading “Mary McCarthy on Madame Bovary as Neurotic”

Wellington, Shwellington: Waterloo and Napoleon, Perfect Together

In September 2008, I visited Waterloo. I was visiting Brussels for work, and on arriving there in the morning, quickly realized that the best way to spend my first, jet-lagged day would be to travel to the site of Napoleon’s Last Stand. Armed with directions, train time-tables, a restless stomach, a camera, a thin sweatshirt,Continue reading “Wellington, Shwellington: Waterloo and Napoleon, Perfect Together”

Lawrence’s Rainbow Still Glistens

So much has been written about DH Lawrence‘s The Rainbow that further commentary is perhaps superfluous, but possible redundancy has never been much of an influence in decisions to write. So here I am, offering my dos pesos. The Rainbow, ostensibly the multi-generation history of the Brangwen family (which continues in Women in Love), isContinue reading “Lawrence’s Rainbow Still Glistens”

Bernard Rose’s Kreuzer Sonata: Sex and Jealousy Forever

Bernard Rose‘s The Kreuzer Sonata might be the best cinematic treatment of insidious, corrosive, and ultimately self-destructive sexual jealousy that I have seen recently. Based on Leo Tolstoy‘s 1889 novella, and part of a trilogy of Tolstoy-adaptations by Rose–I have not seen his Anna Karenina and Ivan’s XTC yet, but I intend to–the film belongsContinue reading “Bernard Rose’s Kreuzer Sonata: Sex and Jealousy Forever”