The Indifferent ‘Pain Of The World’

In All the Pretty Horses (Vintage International, New York, 1993, pp. 256-257), Cormac McCarthy writes: He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had notContinue reading “The Indifferent ‘Pain Of The World’”

Sam Harris Should Read Bernard Williams

In Shame and Necessity (Sather Classical Lectures, University of California Press, 2nd ed., 2008, pp. 68-69) writing on the ancient Greeks’ conceptions of responsibility and human agency via the tale of Oedipus, Bernard Williams writes: [T]here is another aspect to responsibility, which comes out if we start on the question not from the response that the publicContinue reading “Sam Harris Should Read Bernard Williams”

Ghost From The Machine: Once Again, The Dead Return

Matt Osterman‘s Ghost from the Machine (2010)–originally titled and known internationally as Phasma Ex Machina–is touted by its marketing material as a ‘supernatural thriller’. A low-budget indie, it uses a cast made up of genuine amateurs who sometimes look distinctly uncomfortable and self-conscious on camera, and wears its modest production values on its sleeve. The story sounds hokeyContinue reading “Ghost From The Machine: Once Again, The Dead Return”

Art House Double Features: A Day (or Night) at the Movies

The impecunious graduate student’s best friend is the arthouse cinema double-feature. The evidence is in and the case is clear: for payoff in a diverse set of dimensions, the cinema double-feature is the winner hands down. Sure, the wine-and-cheese reception might get the budding academic a date or two–paper acceptances, book contracts, meaningful academic conversation,Continue reading “Art House Double Features: A Day (or Night) at the Movies”