The Pervert’s Guide to Cinema

Ghost From The Machine: Once Again, The Dead Return

Matt Osterman‘s Ghost from the Machine (2010)–originally titled and known internationally as Phasma Ex Machina–is touted by its marketing material as a ‘supernatural thriller’. A low-budget indie, it uses a cast made up of genuine amateurs who sometimes look distinctly uncomfortable and self-conscious on camera, and wears its modest production values on its sleeve. The story sounds hokeyContinue reading “Ghost From The Machine: Once Again, The Dead Return”

The Unread Reading

In The Pervert’s Guide to Cinema, Slavoj Žižek says: All too often, when we love somebody, we don’t accept him or her as what the person effectively is. We accept him or her insofar as this person fits the co-ordinates of our fantasy. We misidentify, wrongly identify him or her, which is why, when we discover thatContinue reading “The Unread Reading”