Trigger Warnings For Assigned Readings?

On Monday, I wrote a brief note here on Jose Saramago‘s Blindness, commenting on its very distinctive tragicomic style. Earlier in the day, my class had discussed–among others–parts XI and XII of the novel, two sections in which the violence and depravity in the abandoned mental hospital reaches new depths. Rape and a stabbing death areContinue reading “Trigger Warnings For Assigned Readings?”

Jose Saramago’s Blindness, And Its Many Visions

Jose Saramago‘s Blindness is a very funny and a very sad book. It is a very sad book because it is about a cataclysmic event–an outbreak of blindness in an unspecified place and time–and the breakdown of social and moral order that follows; it is very funny because this apocalypse of sorts provides an opportunity for theContinue reading “Jose Saramago’s Blindness, And Its Many Visions”

Mankind as Deluded Sisyphus

As the apocalypse closes in again on humanity in Walter M. Miller Jr.’s A Canticle For Leibowitz, Joshua, who has been ‘chosen’ to ‘escape’ into space, leaving this world behind, wonders about the cyclical nature of human history: The closer men came to perfecting for themselves a paradise, the more impatient they seemed to become withContinue reading “Mankind as Deluded Sisyphus”

Nevil Shute’s _On The Beach_ And Normative Epistemology

The first reading in my Philosophical Issues in Literature class this semester–which focuses on the post-apocalyptic novel–is Nevil Shute‘s On The Beach. I expected, more often than not, moral, ethical, and political issues to be picked up on in classroom discussions; I was pleasantly surprised to find out that the very first class meeting–on Monday–honed inContinue reading “Nevil Shute’s _On The Beach_ And Normative Epistemology”

Back To Teaching – I

On Wednesday, I return to teaching after a one-year hiatus (on sabbatical). Here are the–admittedly skimpy and sketchy–course descriptions of the three classes I will be teaching this coming fall semester. I am looking forward to them. I’m sure my enthusiasm will soon be tempered by encountering my university’s mind-numbing bureaucracy (and the dubious pleasuresContinue reading “Back To Teaching – I”

No Atheists in Foxholes, My Ass

Here is vignette #7 from Ernest Hemingway‘s In Our Time: While the bombardment was knocking the trench to pieces at Fossalta, he lay very flat and sweated and prayed oh jesus christ get me out of here. Dear jesus please get me out . Christ please please please christ. If you’ll only keep me from gettingContinue reading “No Atheists in Foxholes, My Ass”

Ian McEwan’s ‘Atonement’ and Post-Apocalyptic Literature

There comes a moment, as the reader moves through Part Two of Ian McEwan‘s Atonement, of sensing something familiar and  recognizable, a deja-vu of sorts, in the sparse yet rich, brutal, unsparing descriptions of physical and moral catastrophe on the long, hot, bloodstained road of retreat to Dunkirk. They are all here: the dead–animal andContinue reading “Ian McEwan’s ‘Atonement’ and Post-Apocalyptic Literature”

The Perennial Allure of Utopian Sex

In Margaret Atwood‘s cautionary, speculative tale of a genetic engineering run amuck, Oryx and Crake, the Snowman observes the Crakers are unusually and refreshingly sexually enlightened: Off to the side, from what is probably a glade where the tents and trailers used to be set up, he can hear laughter and singing, and shouts ofContinue reading “The Perennial Allure of Utopian Sex”

Steven Soderbergh’s Contagion: Portrait of the Apocalypse

If you find speculation about post-apocalyptic situations interesting, then you should find speculation about the progression of an apocalypse interesting too. Steve Soderbergh‘s Contagion is a fine cinematic take on this eventuality. The movie’s plot is simple: a deadly new virus jumps the animal-human barrier, and is transmitted quickly by contact. The virus’ first appearance occursContinue reading “Steven Soderbergh’s Contagion: Portrait of the Apocalypse”

The Post-Apocalyptic Famine

A couple of days ago, I viewed Tim Fehlbaum’s directorial debut Hell, which “tells the story of a group of survivors in post-apocalyptic Germany in the year 2016, when solar flares have destroyed the earth’s atmosphere and temperatures have risen by 10°C.” As my posts here on The Walking Dead and The Road would indicate,Continue reading “The Post-Apocalyptic Famine”