The reasons are quite straightforward, and as might be expected, not exceedingly deep. They are only interesting because, I, like many others who watch Spanish-language broadcasts of the 2014 World Cup, do not speak Spanish. (At least, my Spanish has never risen above some minimal fluency.) First, the most superficial reason of all. The SpanishContinue reading “Why I Watch The World Cup in Spanish”
Category Archives: Television
Put Away Work; The World Cup Is Here
Good afternoon, world. The World Cup starts today. Let me tell you how serious this business is: I had intended to cancel my cable subscription a month or so ago, till a good friend reminded me about it. He stayed my hand, eager to claim time and money. Imagine: a cable cancellation delayed because ofContinue reading “Put Away Work; The World Cup Is Here”
Urban Climbing: Over And Above A Dead-End World
If you are hankering for a serious attack of nausea consider viewing the Channel 4 documentary Don’t Look Down (featuring James Kingston) or the RT documentary ‘Russian Daredevils’ or, perhaps, best of all, go to Mustang Wanted’s webpage. The folks in these documentaries are ‘urban climbers’ – young folks, invariably men, who free-climb up skyscrapers,Continue reading “Urban Climbing: Over And Above A Dead-End World”
True Detective: Eight Points of Contention
I finished watching True Detective last night. I found the finale deeply disappointing but I can’t say that I was surprised; the show had seemed incapable, over the last few episodes, of sustaining the portentousness it had built up in the first three or so installments. I still think the show was outstanding, but IContinue reading “True Detective: Eight Points of Contention”
Marty Hart Comes Undone
The fourth episode of HBO’s True Detective–“Who Goes There”–is justifiably famous for director Cary Joji Fukunaga‘s epic six-minute tracking take of a gun battle gone spectacularly, violently wrong. There is another scene in the episode that should be just as famous: Marty Hart‘s epic, rage and profanity-filled meltdown on finding out his wife Maggie hasContinue reading “Marty Hart Comes Undone”
The Mad Men Can’t Quite Get Hold Of Me
A year or so ago, I wrote my first brief response to AMC’s Mad Men. Three episodes in, I described it as ‘grim’ and a ‘serious downer’. Now, five seasons in, I’m still inclined to that description. (The fact that it has taken me this long to come close to exhausting Netflix’s online repository of itsContinue reading “The Mad Men Can’t Quite Get Hold Of Me”
Sandor Clegane, The Hound, on the Hypocrisy of Knighthood
A Song of Ice and Fire‘s Sandor Clegane, the Hound, is a vile man, a murderous mercenary who knows no scruples. But his impassioned rants against the hypocrisy of the knights of the Seven Kingdoms–besides providing him with some wonderful lines–give him a little redemptive touch. In A Storm of Swords, before his battle with BericContinue reading “Sandor Clegane, The Hound, on the Hypocrisy of Knighthood”
The Killing and Vigilante Justice
There are two instances of vigilante justice in The Killing‘s first season: Bennett Ahmed is brutally beaten by Stan Larsen and Belko Royce, and Councilman Darren Richmond is shot and critically wounded by Royce. Both victims were suspects in the murder of Rosie Larsen; both have been mistakenly accused, a fact that makes their fates particularly poignant.Continue reading “The Killing and Vigilante Justice”
The Killing and the Death That Dare Not Speak Its Name
One important feature of AMC’s The Killing, (the subject of yesterday’s post), which it inherits from the Danish original Forbrydelsen, is its focus on the effect of the central murder on the victim’s family. In so doing, the show manages to be, besides the imperfect police procedural, a painful examination of the most commonly ignoredContinue reading “The Killing and the Death That Dare Not Speak Its Name”
The Killing as Cautionary Police Procedural
If Wikipedia’s entry for “police procedural” is any indicator, AMC’s The Killing is not commonly thought of as one. But despite being a traditional whodunit, it has many of the features of that genre; it depicts “a number of police-related topics such as forensics, autopsies, the gathering of evidence, the use of search warrants andContinue reading “The Killing as Cautionary Police Procedural”
Samir Chopra 