In Everyman (Vintage, 2006), Philip Roth writes of his central protagonist’s fears that intrude into an otherwise idyllic sojourn by the sea: The only unsettling moments were at night, when they walked along the beach together. The dark sea rolling in with its momentous thud and the sky lavish with stars made Phoebe rapturous but frightenedContinue reading “Fearful Reveries, Penal Colonies and Death in the Dark Ocean”
Author Archives: Samir Chopra
Children and Nostalgia
I often find myself talking or writing about nostalgia. As I said here a little while ago: I’m an immigrant; nostalgia and homesickness are supposed to be my perennial conditions. In that same post, I remarked too, on the particular manifestations of both kinds of nostalgia–restorative, which concerns itself with returning to the lost home and reflective,Continue reading “Children and Nostalgia”
From a Safe Distance: Reading about Mountaineering
Reading books about mountaineering–written by mountaineers–reminds me of reading books about physics written by physicists. In both cases, I’ve flirted–ever so lightly–with the subject matter: in the case of physics, I’ve done high-school physics, taken a graduate level class in mathematical methods for physicists, taught myself the basic mathematical foundations of quantum mechanics, read philosophyContinue reading “From a Safe Distance: Reading about Mountaineering”
Go Hack Yourself
I have been travelling and unable to post for the past couple of days. In the meantime, here is a link to Richard Marshall interviewing me at 3AM Magazine.
Journalism Should Embody Anarchist Ideals
Bill Keller‘s lengthy online exchange with Glenn Greenwald makes for very interesting reading. It illuminates a great deal, especially the modern ‘mainstream’ understanding of journalism–as ‘objective’ reporter of ‘facts’–and its supposed ‘responsibilities’ and the ‘alternative’ view of journalism as fundamentally adversarial, beholden to no nation or state, dedicated to exposing the machinations of the powerful.Continue reading “Journalism Should Embody Anarchist Ideals”
Tim Kreider and the Problem of Too Many Writers
Tim Kreider has a very familiar sounding complaint in the New York Times. It is familiar because his article follows a well-worn template of talking about the Brave New Bad World of Free Content, and because the Times routinely publishes such Op-Eds. Like most screeds put out by what I have termed ‘the whining artist‘Continue reading “Tim Kreider and the Problem of Too Many Writers”
Nicholas Carr on Automation’s Perils
Nicholas Carr offers us some interesting and thoughtful worries about automation in The Atlantic (‘All Can Be Lost: The Risk of Putting Our Knowledge in the Hands of Machines,’ 23 October 2013). These worries center largely around de-skilling: as automation grows ever more sophisticated–and evidence suggests it is pushing into domains once thought to be inaccessible–humansContinue reading “Nicholas Carr on Automation’s Perils”
‘The Road’ and the Centrality of Love for Existence
How can a difficult read be an easy one? It can be easy because the difficulty is compelling and seductive, because ‘difficult’ does not mean ‘obscure’, because difficult can be worthy of admiration. A few days ago, when I saw John Hillcoat‘s The Road, based on Cormac McCarthy‘s novel of the same name, I had not yetContinue reading “‘The Road’ and the Centrality of Love for Existence”
The Post-Apocalyptic Zone of Moral Instruction
During a Facebook discussion in response to my post yesterday on The Road, my friend Maureen Eckert wrote: I am never sure what to make of “post-apocalyptic porn.” On the one hand they seem to be thought experiments about the “State of Nature.” On the other, they seem to tend to express exaggerated exasperation withContinue reading “The Post-Apocalyptic Zone of Moral Instruction”
John Hillcoat’s ‘The Road’: Bleak and Unsparing
John Hillcoat’s The Road is a faithful cinematic adaptation of Cormac McCarthy‘s bleak vision of a post-apocalyptic world. It is almost unrelentingly grim because it is unsparing about the bitter truths of a world in which food and morality are both in short supply: existence is a mere step up from the eventual slow deathContinue reading “John Hillcoat’s ‘The Road’: Bleak and Unsparing”
Samir Chopra 