Writing – Page 2 – Samir Chopra

Steven Pinker Should Read Some Nietzsche For Himself

Steven Pinker does not like Nietzsche. The following exchange–in an interview with the Times Literary Supplement makes this clear: Question: Which author (living or dead) do you think is most overrated? Pinker: Friedrich Nietzsche. It’s easy to see why his sociopathic ravings would have inspired so many repugnant movements of the twentieth and twenty-first centuries,Continue reading “Steven Pinker Should Read Some Nietzsche For Himself”

An Ode To The Semicolon

I discovered semicolons in the fall of 1992. I had asked–on a lark of sorts–to read a term paper written by my then-girlfriend, who was taking a class in literary theory at New York University. In it, I noticed a ‘new’ form of punctuation; I had seen the semicolon before, but I had not seenContinue reading “An Ode To The Semicolon”

Virginia Woolf On Autobiography And Not Writing ‘Directly About The Soul’

In Inspiration and Obsession in Life and Literature, (New York Review of Books, 13 August, 2015), Joyce Carol Oates writes: [Virginia] Woolf suggests the power of a different sort of inspiration, the sheerly autobiographical—the work created out of intimacy with one’s own life and experience….What is required, beyond memory, is a perspective on one’s ownContinue reading “Virginia Woolf On Autobiography And Not Writing ‘Directly About The Soul’”

‘Prison Literature: Constraints And Creativity’ Up At Three Quarks Daily

My essay, ‘Prison Literature: Constraint and Creativity,’ is up at Three Quarks Daily. Here is an introduction/abstract: In his Introduction to Hegel’s Metaphysics (University of Chicago Press, 1969, pp 30-31), Ivan Soll attributes “great sociological and psychological insight” to Hegel in ascribing to him the insight that “the frustration of the freedom of act results in the search ofContinue reading “‘Prison Literature: Constraints And Creativity’ Up At Three Quarks Daily”

George Steiner On The ‘Unvoiced Soliloquy’ And Collaborative Creativity

In Grammars of Creation (Yale University Press, 2001, pp. 84-85), in making note of the ‘anxiety of influence,’ and the valorization of solitary creativity, George Steiner writes: I want to point to the elected presences which makers construe within themselves or within their works, to the “fellow-travellers,” teachers, critics, dialectical partners, to those other voices withinContinue reading “George Steiner On The ‘Unvoiced Soliloquy’ And Collaborative Creativity”

Writing And Therapy

Writing can be therapeutic. Not just autobiography and memoir, the obvious venues of this particular kind of clinic; letters, novels, short stories, poems, screenplays, can all enable a ‘working through‘ because they call upon a kind of ‘remembering,’ a dynamic ‘free association,’ unprompted and unbidden, that trawls through the various levels and layers of ourContinue reading “Writing And Therapy”

Freud As Writing Stylist And Pedagogy Instructor

In Freud, Jews and Other Germans: Master and Victims in Modernist Culture¹(Oxford University Press, New York, 1978), Peter Gay writes: All of Freud’s biographers devote an obligatory page to the efficiency and beauty of his prose–not without reason. Freud’s stylistic achievement is all the more remarkable considering the spectrum of his publications…Freud’s case published caseContinue reading “Freud As Writing Stylist And Pedagogy Instructor”

Taming The Beast: Writing By Deleting Text

Some six or so years ago, I began work on a book. I’m still not done and the end isn’t in sight either. I’ve alluded to this state of affairs on this blog before: on my About page where I make note of the extremely impressive and portentous title the book bears, and once, inContinue reading “Taming The Beast: Writing By Deleting Text”

The ‘True Image Of A Writer’ And Online Writing

Shortly after I first began writing on the ‘Net–way back in 1988–I noticed that there was, very often, a marked contrast between the online and offline personas of some of the writers I encountered online. (I am referring to a small subset of the writers I read online; these were folks who worked with meContinue reading “The ‘True Image Of A Writer’ And Online Writing”