In How to Read and Why (Scribner, New York, 2001, p. 281), Harold Bloom invokes ‘The Knight’s Tale‘ from Chaucer‘s Canterbury Tales and writes: The Knight sums up Chaucer’s ironic ethos in one grim couplet: It is ful fair a man to bere hym evene For al day meeteth men at unset stevene Bloom continues:Continue reading “Chaucer’s Knight As Stoic Philosopher”
Category Archives: Literature
James Baldwin On A White Policeman’s Eyes
In James Baldwin‘s If Beale Street Could Talk (Bantam, New York, 1974) Fonny, a young black man, is in jail for rape–his supposed victim’s eyewitness identification is probably mistaken; ‘outside,’ his pregnant girlfriend, Tish, wonders about the policeman, Bell, who arrested Fonny. Bell had wanted to arrest Fonny for assault ever since he had violentlyContinue reading “James Baldwin On A White Policeman’s Eyes”
Kōbō Abe’s ‘Woman in The Dunes’ And The Scientist’s Existentialist Despair
Kōbō Abe’s The Woman in the Dunes wears and displays its existentialist, absurdist aspirations openly and transparently; this is its terse Wikipedia summation: In 1955, Jumpei Niki, a schoolteacher from Tokyo, visits a fishing village to collect insects. After missing the last bus, he is led, by the villagers, in an act of apparent hospitality, to a houseContinue reading “Kōbō Abe’s ‘Woman in The Dunes’ And The Scientist’s Existentialist Despair”
The Virtuous, Ubiquitous Skipping Of Lines And Pages
In Immortality (HarperCollins, New York, 1990), Milan Kundera writes, If a reader skips a single sentence of my novel he won’t be able to understand it, and yet where in the world will you find a reader who never skips a line? Am I not myself the greatest skipper of lines and pages? As a childContinue reading “The Virtuous, Ubiquitous Skipping Of Lines And Pages”
Straight Trippin’: Sartre, Mescaline, Nausea, Crabs
In a previous post, I had wondered whether Jean-Paul Sartre‘s description of Roquentin’s ‘vision in the park’ in Nausea was an indication of psychedelic experiences in Sartre’s past:
Writing Too Strong, Too Talented, To Endure
In Koba The Dread: Laughter and the Twenty Million (Vintage International, New York, 2002, pp. 230), Martin Amis writes (on Maxim Gorky‘s relationship with Stalin and his death following his return from exile in Sorrento to a period of ‘recantation’ and self-debasement): Writers were pushed, sometimes physically, sometimes spiritually, into all kinds of unfamiliar shapes byContinue reading “Writing Too Strong, Too Talented, To Endure”
On Failing In Our Own Style
In Flaubert’s Parrot (Vintage International, New York, 1990, pp. 39) Julian Barnes writes: But then Ed Winterton liked to present himself as a failure…. His air of failure had nothing desperate about it; rather, it seemed to stem from an unresented realisation that he was not cut out for success, and his duty was therefore toContinue reading “On Failing In Our Own Style”
GK Chesterton On Conservatism’s Necessary Changes
In Orthodoxy (Image Books, 1959) G. K. Chesterton writes: Conservatism is based upon the idea that if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of changes. If you leave a white post alone it will soon beContinue reading “GK Chesterton On Conservatism’s Necessary Changes”
‘Nausea’ And Psychedelia: Was Antoine Roquentin Tripping?
My re-reading of Nausea, Jean-Paul Sartre‘s existentialist classic, for this semester’s independent study on existentialism has now prompted me to blog on it two days in a row. Today, I find myself returning to a question which I had first considered a couple of decades ago during my first reading of Nausea: Was Antoine RoquentinContinue reading “‘Nausea’ And Psychedelia: Was Antoine Roquentin Tripping?”
Jean-Paul Sartre On ‘An Odd Moment In The Afternoon’
In Jean-Paul Sartre‘s Nausea, Antoine Roquentin offers us a characteristically morose reflection about a very particular hour of the day: Three o’clock. Three o’clock is always too late or too early for anything you want to do. An odd moment in the afternoon. Today it is intolerable. [New Directions edition, 2007; pp. 14] Monsieur Roquentin isContinue reading “Jean-Paul Sartre On ‘An Odd Moment In The Afternoon’”
Samir Chopra 