There are many, many, descriptions of the stages of the creative process. Some have been memorialized into pithy, quasi-inspirational, meme-worthy statements that can be shared on the net, all the better to encourage anxious, insecure, doubt-ridden procrastinators, distracting themselves from their creative ‘tasks’ by incessantly checking their social media feeds. Roughly, they amount to this:Continue reading “An Anxiety-Provoking Description Of The Creative Process”
Tag Archives: writers
Derrida And Beauvoir On The ‘Powerless,’ ‘Not Bothersome’ Intellectual
In ‘The Ends of Man,’ (from After Philosophy: End or Transformation?, eds. Kenneth Baynes, James Bohman, and Thomas McCarthy, MIT Press, 1987, pp. 129), Jacques Derrida writes: It would be illusory to believe that political innocence has been restored and evil complicities undone when opposition to them can be expressed in the country itself, notContinue reading “Derrida And Beauvoir On The ‘Powerless,’ ‘Not Bothersome’ Intellectual”
Writing Too Strong, Too Talented, To Endure
In Koba The Dread: Laughter and the Twenty Million (Vintage International, New York, 2002, pp. 230), Martin Amis writes (on Maxim Gorky‘s relationship with Stalin and his death following his return from exile in Sorrento to a period of ‘recantation’ and self-debasement): Writers were pushed, sometimes physically, sometimes spiritually, into all kinds of unfamiliar shapes byContinue reading “Writing Too Strong, Too Talented, To Endure”
The Pleasures Of Books Never To Be Written
In ‘The Flaubert Apocrypha’ (from: Flaubert’s Parrot, Vintage International, New York, 1990, pp. 115-116), Julian Barnes writes: If the sweetest moment in life is a visit to a brothel which doesn’t come off, perhaps the sweetest moment in writing is the arrival of that idea for a book which never has to be written, whichContinue reading “The Pleasures Of Books Never To Be Written”
Tim Parks On Writerly Conformity
At The New York Review of Books blog, Tim Parks writes of the “general and ever increasing anxious desire to receive positive feedback” on writing: It is a situation that leads to…an intensification of conformity, people falling over themselves to be approved of….Announce an article…on Facebook and you can count, as the hours go by,Continue reading “Tim Parks On Writerly Conformity”
William James And The Pre-Raphaelites’ Influence
This morning, for no particular reason, or perhaps because I’ve been reading Becoming William James, Howard Feinstein’s excellent psycho-biography of William James, I posted the following on Facebook: William James was a better, more interesting, writer than Henry James. These are, as my friend Margaret Toth pointed out, “fighting words.” But of course, as IContinue reading “William James And The Pre-Raphaelites’ Influence”
Freud On Group Production (And ‘Intellectual Property’)
In ‘Group Pyschology’, (Standard Edition, XVIII, 79; as cited in Peter Gay, Freud for Historians, Oxford University Press, 1985, pp. 150), Sigmund Freud writes: [A]s far as intellectual achievement is concerned, it remains indeed true that the great decisions of the work of thought, the consequential discoveries and solutions of problems, are possible only toContinue reading “Freud On Group Production (And ‘Intellectual Property’)”
Serendipity In The Library Stacks
I like libraries. Always have. My most favored writing space these days is a library, that of the CUNY Graduate Center in midtown Manhattan. I arrive by subway at the 34th Street station, exit at 35th Street, enter the B. Altman Building through the lobby, buy myself a coffee, and then head upstairs to theContinue reading “Serendipity In The Library Stacks”
Vilhelm Ekelund On Dogs And Literary Critics
In Nordic and Classic (reprinted in Dagbok och Diktverk by Sven Linquist, Bonniers, Stockholm 1966; excerpted in Vilhelm Ekelund: The Second Light, North Point Press, San Francisco, 1986, page 26), Vilhelm Ekelund, the master Swedish poet and aphorist, writes: Into the dog’s sense of life enters, no doubt as an essential fact, the joy thatContinue reading “Vilhelm Ekelund On Dogs And Literary Critics”
Amitav Ghosh And Dževad Karahasan On ‘An Aesthetic of Indifference’
In his essay The Ghosts of Mrs. Gandhi (New Yorker, July 1995), Amitav Ghosh introduces the reader to the Bosnian writer Dževad Karahasan and his ‘remarkable essay called Literature and War (published…in the collection Sarajevo, Exodus of a City), which ‘makes a startling connection between modern literary aestheticism and the contemporary world’s indifference to violence.’ GhoshContinue reading “Amitav Ghosh And Dževad Karahasan On ‘An Aesthetic of Indifference’”
Samir Chopra 